The same repertoire, the same role, the same stage performance, what does such a stage challenge mean?
This Saturday (April 9th) at 21:00, Dragon TV’s first full-industry chain musical cultural promotion program “The City of Philharmonic” will kick off the second stage. The official video broadcast platform Blockbuster TV is presented simultaneously. In this episode, actor A and actor B will stage a 1vs1 confrontation with the same repertoire and role, striving to collide with a new understanding and spark of the role on the same stage.
Although the “Philharmonic Support Group” generally believes that this competition method is extremely “cruel”, when co-creating the selections of classic musicals such as “Butterfly Dream”, “Crazy Flower Shop”, “Notre Dame de Paris” and “Cat”, they are both rivals. The actors, who are also collaborators, withstood the pressure and presented a surprising stage effect, which also made the audience and the five “philharmonic helpers” Liao Changyong, Zhang Yuqi, Ayunga, Huang Shujun and Da Zhangwei. “Being caught in a dilemma: how to choose after acting so well!
The competition system is cruel, the cooperation is warm
The same play and the same character 1vs1 strong confrontation
Saying goodbye to the first round of competition, “The City of Philharmonic” put forward higher requirements for the 32 actors in the new stage: according to the results of the internal votes, the actors in the A corner will choose the plays in reverse order. Among them, the top ranked actors can be replaced by the bottom ranked actors, and the replaced actors enter the pending area. After the selection of role A, the actors of role B will determine the opponents and plays they want to challenge according to their rankings and wishes. In the end, two groups of actors, A and B, will be paired together to bring about a 1vs1 confrontation with the same play and role. “Hit hard, be positive!” As Huang Shujun, “A Music Helper” said, this kind of competition is very “cruel”, “They must not only conform to the character setting and spirit of the original work, but also highlight their own characteristics, which is quite difficult. “.
Brand new rules give “La City” more vitality. During the selection process of the repertoire, some of the actors were well-intentioned, but were accidentally replaced; some were willing to look like adults, and they were willing to find another way; Different choices reflect different personalities and convey their common insistence on art.
What’s even more surprising is that, facing pressure, the competition of the actors is extraordinarily warm, and the spark of sincerity collided. In order to interpret the “Housekeeper Rebecca” in “Butterfly Dream”, “Master Sister” Jiang Qianru took the newcomer Chen Tian to watch the original film together, and “opened a small stove” to give each other a “little lesson in vocal music”. When restoring the excerpt “The Dentist” from “Crazy Flower Shop”, Shi Zheming and Liu Siwei, the “North and South Twists”, learned from each other. Challenging the role of “troubadour” in “Notre Dame de Paris”, Ye Qisheng’s “French cheat sheet” amazed his peers. He also enthusiastically sent a “mysterious gift” to Nan Feng and invited him to watch the original version together. When dealing with “Symphony of Wrath” from “Rock Mozart”, Zheng Qiyuan and Wang Zhuocheng repeatedly ran in and staged a “mirror-style” rehearsal. Zhang Huifang and Feng Difei encouraged each other and bravely challenged the classic musical “Cat” that surpassed their experience… The attitude of progressing together and achieving each other enhanced the charm of the 1vs1 stage, and the performances of multiple plays made “Philharmonic Help People” praise Absolutely.
Great reviews, inspiring stories
Liao Changyongda Zhang Wei’s first comment has many feelings
One static and one movement, one village and one harmony, the debut of “Philharmonic Helper” Liao Changyong and Da Zhangwei in “The City of Philharmonic” was brilliant. As the dean of Shanghai Conservatory of Music, Liao Changyong brought more professional comments and suggestions to the stage. For example, when commenting on the excerpt “Rebecca” from “Butterfly Dream”, he first affirmed the richness of the characters brought by the cooperation between Jiang Qianru and Chen Tian, and more keenly discovered that the original main creator was specially created for “The City of Philharmonic”. The uniqueness of the harmony, “It’s three-dimensional at once!” Liao Changyong also revealed his true feelings when evaluating the excerpt “The Moon” from “Notre Dame de Paris”. One pop singing style and one opera singing style do not conflict and complement each other. “The two people pay tribute to each other on the stage. Compared with the original version, you have sublimated, and you have your own expression, which is amazing!” “Cat”, Liao Changyong sincerely suggested that the character’s characteristics should be fully considered in the movements, and more attention should be paid to “the flow of the musical lines”. Ding Zhenying, who was waiting for the stage, felt as if he was “returning to the classroom in a dream”. It’s class time!”
In contrast, Da Zhangwei brought more joy to “The City of Philharmonic”: when he heard Liao Changyong claiming to love “The Moon”, he immediately coaxed, “You want to sing, accompaniment”; The exaggeration of “The Dentist” from “The Flower Shop” was exaggerated. He jumped up and shouted “I almost wanted to go on stage”; and when evaluating the classicity of “Memory” in the musical “Cat”, Da Zhangwei was even more A pun made the audience laugh: “‘Old Memory’ is over!”
Of course, the wonderful performances and rich life stories of the actors also made the “Philharmonic Support Troupe” and the audience moved and tangled. The perfect partners of Jiang Qianru and Chen Tian, Zhang Yuqi couldn’t help but shout: “Adults don’t make choices, I want them all! I don’t want to vote!” Seeing that Ye Qisheng did not choose himself as the “original card” play, he Bravely challenged and repeatedly honed French pronunciation, Ayunga nodded frequently, praising the other side as “the man with the bones”. Knowing Shi Zheming’s inferiority complex and helplessness since he started his career, Huang Shujun couldn’t help but sigh with warmth and encouragement, “The tears of such a man represent the sadness experienced by many musical actors…”
What kind of stage made the rookie actor with the “determination to lose” win applause? What kind of interpretation makes B actor “counter-attack” to prove himself? What other plays have been creatively adapted and sublimated? Everything is wonderful. Dragon TV’s entire industry chain musical cultural promotion program “The City of Philharmonic” broadcasted at 21:00 on April 9, waiting for you to witness!Return to Sohu, see more
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