Home » Emphasis on emotional depiction, the fantasy inspirational drama “The Fight of the Knife in the Snow” has surprises_Xu Fengnian_Father_Xu Xiao

Emphasis on emotional depiction, the fantasy inspirational drama “The Fight of the Knife in the Snow” has surprises_Xu Fengnian_Father_Xu Xiao

by admin

Original title: Emphasis on the emotional depiction of the fantasy inspirational drama “The Knife in the Snow” has surprises

The TV series that can be premiered on the CCTV TV series channel must be “something”.

Adapted from the novel of the same name, the TV series “Fighting Knives in the Snow” is currently being broadcast on CCTV-8. I haven’t read the original work. I just thought it was a regular fight, kill and kill drama by its name. I didn’t expect to chase after a few episodes. Entering the pit, what kind of magic is it that female audiences can’t stop watching it. After chasing the drama up to now, the final conclusion is that although this drama has an overhead background and a fantasy theme, it has added a lot of ingenuity to the story. The construction of the character relationship is even more attentive, which incorporates a lot of real character emotions.

Compared with the fighting scenes in the drama, “Snow Fighter” is more about the integration of emotions, and the integration of real emotions into a fantasy and inspirational work makes it easier for the audience to empathize and be convinced. The key point of this play is to pay great attention to the excavation of humanity and humanity.

The beginning of the story is the relationship between the hero Xu Fengnian (played by Zhang Ruoyun), the horse husband Lao Huang, and his father Xu Xiao from beginning to end. After three years of travel, Lao Huang always accompanied Xu Fengnian, unable to keep up with food and clothing, and was hunted everywhere. Even with such a dangerous life, Lao Huang and Xu Fengnian were able to have fun in hardships and enjoy happiness. However, Lao Huang would break up the thoughts again and again, persuading Xu Fengnian to “learn martial arts not to lose money, not to be fooled”… Xu Fengnian has never heard of it, and never cares about it. Because he always believed that it was his father’s arrangement to let him learn martial arts, and Lao Huang was just a lobbyist.

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Corresponding to the plot, after three years of travel, Xu Fengnian and Lao Huang returned home, and the three gathered in Lao Huang’s room to eat a simple meal. Xu Fengnian’s careful thought was to let his father know that he had traveled for three years. He blamed his father somewhat in his heart for the hardship. After drinking and eating, Lao Huang confided that it was his own idea to let Xu Fengnian learn martial arts, not his father’s compulsory intention. Lao Huang wanted him to protect himself in a critical moment. This plot made many viewers cry on the screen. Although it is a master-servant relationship, it is comparable to a father-son relationship. Every character is a flesh and blood and emotional existence, and is a character with good intentions, so it is even more when watching it. I feel that the characters have a gleaming halo.

When he returned home, his father Xu Xiao always wanted Xu Fengnian to take over Beifang, but outsiders seemed to think that it was just the father who wanted his son to inherit the power. However, after watching many plots of father and son, I discovered that this apparently decisive father is actually a kind father to his son, and even a little afraid of his son. The funny plot between father and son is also a highlight of this drama, but more What is touching is that Xu Xiao, the king of Beifang, although he is the king of the party and the father of Xu Fengnian, is not a strong person, nor is he doing his own personal power at all, but he truly understands that his son is A kind-hearted person, even if Xu Fengnian did not even know martial arts in the first place, he still believed that his son could become the next king of Beifang. He believed that in order to make the people stable and not suffering from the war, his son Xu Fengnian inherited Beifang. Wang is the best choice, which also confirms that the wonderful relationship between their father and son actually stems from the father’s trust in his son. Even if his son looks profligate, he, as a father, knows his son’s character best.

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With the progress of the plot, the truth of the death of Beixing King Xu Xiao in Chu was also known to people. He closed the door of Chu Kingdom and let the King of Chu and the princess die decently, avoiding being insulted by others, and Xu Xiao took it away. The last trace of their blood, Jiang Ni, the subjugated princess of the Kingdom of Chu, did not cut off her head as in the legend. This also confirmed that Xu Xiao and Xu Fengnian cherished each other, and both father and son had a heart. Good thoughts.

In addition, it can be seen that the maids in Xu Fengnian’s mansion, from the subjugated princess of Chu, to the blue bird as a dead soldier, to the oiran in the Zijin Building, Xu Fengnian is very good to everyone and will put himself in consideration for each other. Jiang Ni tried to assassinate him many times and he didn’t resent him; Blue Bird finally didn’t have to be a dead man, as Xu Fengnian himself said; the oiran failed in the assassination in the Zijin Building but was taken back to the mansion by Xu Fengnian; he did not retaliate or kill these people. Because he did think from the other side’s standpoint, knowing everyone’s difficulties and involuntary involuntary, so he chose to forgive. Although he is called the “first dandy”, he is a bohemian son on the surface, but in fact the opposite is true. The details of the whole show show the kindness and beauty of Xu Fengnian’s character.

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For a good TV work, not only is the story text to be solid, it is also extremely important that the characters shine, and more importantly, the authenticity of the characters. To convince the audience that the person is real, then you can only use emotions to treat the characters. Pack it. Zhang Ruoyun’s ability to interpret roles is one aspect. The director’s ability to properly grasp the emotional expression of the characters requires skill. Each character in the play is very successful. From the protagonist to the supporting role, each has its own bright spots, which shows the creation behind it. It’s not easy for you. “Knife in the Snow” is indeed a work carefully polished by the director and the main creator. I will continue to follow the drama and watch it. What surprises there will be in the follow-up.Return to Sohu to see more

Editor:

Disclaimer: The opinions of this article only represent the author himself. Sohu is an information publishing platform. Sohu only provides information storage space services.

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