Home » Looking back at 2021·The main theme of the series climbs to new heights-Entertainment News-Southeast Net

Looking back at 2021·The main theme of the series climbs to new heights-Entertainment News-Southeast Net

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Summary:On the screen in 2021, high-reputation works such as “Awakening Age”, “Mountain and Sea Love”, and “Merritious Service” set off the main theme on the screen and outside of the screen, creating the most eye-catching results of Chinese dramas in many years. Behind the outbreak of the main theme theme is that the creators abandon the conventional creative ideas, start from the real characters and emotions, through the richest possible drama conflicts, and use extremely artistic expressions to make the history textbooks and era reports The story comes alive. Revolutionary historical dramas, poverty alleviation dramas, and heroic model dramas that were not valued by the market in the past are presented on the screen in a brand-new appearance during this round of creative transformation.

Looking back at 2021·series

The main melody drama climbs to new heights

On the screen in 2021, high-reputation works such as “Awakening Age”, “Mountain and Sea Love”, and “Merritious Service” set off the main theme on the screen and outside of the screen, creating the most eye-catching results of Chinese dramas in many years. Behind the outbreak of the main theme theme is that the creators abandon the conventional creative ideas, start from the real characters and emotions, through the richest possible drama conflicts, and use extremely artistic expressions to make the history textbooks and era reports The story comes alive. Revolutionary historical dramas, poverty alleviation dramas, and heroic model dramas that were not valued by the market in the past are presented on the screen in a brand-new appearance during this round of creative transformation.

Protagonist characterization to go to the halo

The higher the character, the farther away from the audience, being close to reality and grounded are the main characteristics of the main theme characters on the screen this year. The “Mountain and Sea Love” broadcast at the beginning of the year followed the line of local literature in its creation, and the fate stories of a group of “earth-flavored” characters sparked heated discussions across the Internet. When the powerful female protagonists on the screen “rush to the street”, Li Shuihua, who has no halo and no filter, has become the screen character who can best demonstrate the power of women this year.

Nowadays, in more and more thematic works, the protagonists seen by the audience are out of halo. In “Awakening Age”, Chen Duxiu appeared almost like a tramp, and was misunderstood and besieged by patriotic students. The character of Chen Duxiu in the play is self-serving and feudal. The character conflict between him and his eldest son Chen Yannian is the Chinese father-son relationship that the audience is very familiar with. The various “imperfections” make this pioneering leader a little more. Divided into smoke and fire and true temperament.

In “The Merit”, Lei Jiayin plays Yu Min. He wears a pair of black-framed round glasses with messy hair and stubble. The image of the characters is fuzzy to the point of lack of recognizability. It is not reminiscent of China that “a loud noise surprised the world” “The Father of the Hydrogen Bomb.” At the beginning of the story, the scientist promises the country with his own body, but such a magnificent scene is performed in a calm manner: the leader of the wonton stall on the roadside asks Yu Min that joining the hydrogen bomb project will be incognito for a lifetime, and the family will also be a “dumb” in front of the family. , “That’s the secret to take to the grave”. Yu Min ate wontons, “Don’t think about it, you can go to work tomorrow morning”, there is no rhetoric, no emotional outbursts, a promise to promise a lifetime, but it is better than a thousand words.

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These disenchanting performance techniques for the protagonist not only jumped out of the old road of grand narratives, but also suppressed the rebellion through the desire to promote the characters.

Family Perspective Links Home and Country

This year’s masterpieces of the main melody unanimously made a fuss about the family perspective. “The Meritorious” is very different from previous heroes and model dramas. The protagonist is no longer a symbolic image, but an ordinary person with a sense of true feelings. In addition to the “highlight moments” of several meritorious characters, their family stories, Emotional stories also have the power to reach people’s hearts. The scenes in the play are deeply emotional and emotional. Zheng Xiaolong, the chief director of “Meritorious”, said that the crew of the eight units of this play has a consistent agreement: to respect the real logic of the times, and to be loyal to the emotions of the meritorious character when he was born. Only in this way can we shoot works that people love to watch. .

As one of the most important works of the year, the high concentration of family emotions in “Awakening Age” is an important reason why the work is so popular that it “out of the circle”. In the play, the emotions of Li Dazhao and his wife Zhao Renlan are admirable. The plot joins the contradiction line between Chen Duxiu and his son, and it is a successful exploration of the creation of major revolutionary historical themes. The conflict between Chen Duxiu and his son in “Awakening Age” did not detach from the main line. The conflict began with family grievances, trapped in the collision of ideas in the great trend of the times, and finally the joint establishment of revolutionary beliefs, and the process of its occurrence, development, and resolution was deeply embedded. In the theme expression of the work, it is also about the inevitability of the founding of the Communist Party of China. Chen Duxiu and Chen Yannian finally reached a reconciliation in the daring of the revolutionaries, forming a deeper emotional interaction in the relationship between the characters. A scene where the father and son hug the dock is rich in meaning. This parting scene of more than 4 minutes is the “tear point” of the whole play. The close-ups of Chen Yannian and Chen Qiaonian’s steps are an extension of Chen Duxiu’s footsteps, a metaphor for the continuation of the road to awakening. Moving forward, the scene superimposed on the scene of the two sacrifices has become the most widely circulated piece of work on the Internet, and it is also the classic shot of the year on the screen. The power to move people’s hearts comes from the explosion that runs through the whole drama after the emotional entanglement between father and son, and also from the revolution and youth, awakening and sacrifice of a generation of path-finding. It is destined to be remembered for the audience to have emotional resonance and spiritual resonance in the homeland. .

Turn history into a human story

The opening of “Neng Wen Neng Wu Li Yannian” is the highlight moment of the whole play: the soldier Xiao Andong takes care of his relatives and escapes, revealing the question in the mind of the characters when they go abroad to fight in the face of huge battlefield casualties-“Why are we fighting”, and this It is precisely the meaning of the theme of the theme of the narrative of the War to Resist U.S. Aggression and Aid Korea. Similar themes focus on the macro restoration of the historical perspective. “Neng Wen Neng Wu Li Yannian” turns history into a human story, cutting from the perspective of ordinary soldiers, and presenting existence in the mind. His ideological struggle is externalized as a conflict in a deserter incident, and the answer is “why fight” in the tension of the drama.

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In the play, Li Yannian, the instructor played by Wang Lei, stopped the company commander who was going to execute Xiao An Dong. His tragic life experience from Xiao An Dong, speaking of the soldiers’ homesickness, speaks sensibly that the Anti-US Aid Korea is defending his relatives and deserting soldiers. The event eventually turned into pre-war mobilization. This 16-minute battle mobilization show has simple lines, ingenious structure, full of tension, emotional, without the slightest sense of tediousness, and presents a shocking artistic appeal. The director Mao Weining took great pains to film this scene. He told Wang Lei to shoot on the first day before it was turned on, but the actual filming took many days. I’ve been through this scene in my heart. As long as I don’t shoot, he can’t lose it. He has to practice it every day.” Mao Weining said that in the end, the performance was completed in one go. Many people on the scene cried and were taken into the scene by Wang Lei. . The audience in front of the TV when the episode is broadcast can also feel the impact of this soul.

See people, see stories, see conflicts

The power of TV dramas to move people’s hearts lies in respecting the laws of art. Good works “hid” the spiritual theme in the conflict between the story and the characters. The deeper the “hidden”, the more people can understand the truth and accept concepts in a subtle way.

Same as the main theme of the popular theme, this year’s “Black Storm” and “Breakout” have left regrets. The former is caught in a hasty controversy of “unfinished”, and the latter is intermittently “stiff” in expression. Two big hits The failure of the anthology to become a word-of-mouth work is that the stories and characters in the works have not completed the established penetration of artistic creation. When the theme expression is no longer the “ventriloquism” after artistic processing, it jumps out of the story style and the character of the characters and becomes alienated. When a feature film has a tough voice, it interrupts the audience’s artistic experience, and the effect will be compromised.

Throughout this year’s outstanding theme works, there has been a significant improvement in characterization and narrative techniques. For example, the protagonist does not deliberately raise the bar, but wants to meet the real person. The story must not only have events, but also see conflicts. These all show the creators’ efforts to break through inertial thinking and keep up with the audience’s aesthetics. The creation of the main theme on the screen has also opened up a new creative mode and expression space. (Reporter Qiu Wei

Industry view

The main melody of the industry leaders gathers up to look good

Yang Wenshan (researcher of TV drama culture)

The main melody drama has become more attractive. The core is that outstanding creative talents and teams that are favored by the market participate in the creation of the main melody drama, such as Noon Sunshine, 8 creative groups led by Zheng Xiaolong, and Zhang Yongxin’s team. In fact, there is not much breakthrough in “what to shoot”. “How to shoot” can be extended more. At present, the so-called “new mainstream dramas” pay more attention to the visual presentation of stories. This is also an important way to improve the perception of the main theme drama. There is also the matching of actors. In the past, similar works may have valued the performance of the protagonist, but the drama was collided by masters. The actors in the dramas “Awakening Age”, “Mountain and Sea Love” and “Merritious” are very good, which means that the main melody is very good. The cast of actors should be the same as commercial dramas, or even better than the latter.

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The biggest limitation of the theme of the theme is the lack of drama, but it can still be improved, such as broadening the level of social and historical performance, and digging deeper into the connotation of characters and stories. Taking “Merchants” as an example, it has basically broken through the past “hero drama” model, and the average level is very high. Among them, “Yuan Longping’s Dream” has a history, social relations, and behavioral motivations. It is close to the standard meaning of “biography”. piece”.

This year’s “out of the circle” theme of the theme, on the one hand, is the appearance of works of various types of commercial dramas that are not too conspicuous, on the other hand, it is also the result of macro-control. The three dramas “Awakening Age”, “Mountains and Seas” and “Merchants” are all themed “ideal shining in China”. The latter two dramas are the key works planned by the State Administration of Radio, Film and Television. It is also because of this that they have such a creation. The team, this is an important guarantee for success.

Boutique one after another

■To celebrate the centenary of the founding of the party, the State Administration of Radio and Television organized and carried out the “Idea Illuminates China-The State Administration of Radio and Television to celebrate the 100th anniversary of the founding of the Communist Party of China, the creation and broadcasting of themed works”, and many masterpieces will be launched on January 1, 2021. Screen.

■On January 12, “Mountain and Sea Love” premiered on Wu Dawei TV and quickly became popular. The work realized an epic narrative of realistic themes and unearthed the geo-aesthetic code within the theme of poverty alleviation.

■During the Ching Ming Festival, many people laid flowers in front of the tombs of Chen Yannian and Chen Qiaonian in the Longhua Martyrs Cemetery in Shanghai, proving that “The Awakening Age” has effectively affected contemporary young people, showing a strong long tail effect, and the promotion of patriotism has become the key to the recognition of the main theme works. background.

■On June 10th, the 27th Shanghai TV Festival ended. “The Age of Awakening” with the theme of party history and “The Love of the Mountains and the Sea” with the theme of poverty alleviation were equally divided at the Magnolia Awards.

■On December 16, the major revolutionary historical theme drama “Xiangshan Ye Zhenghong” ended successfully on CCTV. According to China’s audiovisual big data, the show’s ratings have consistently ranked first in the country for three consecutive weeks, hitting new highs repeatedly, and the audience continues to praise it.

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