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Montalbano ended up in prison

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Montalbano ended up in prison

When in a pack, journalists often give the worst of themselves. At the press conference for the presentation of Re, new original Sky (on Atlantic and Now), there were nine members of the cast including authors, actors and producers, but at the time of the questions it seemed that everyone wanted to ask the same thing to the same person: Luca Zingaretti, after Montalbano who was a good , now you play a villain? Award that man for the deadpan calm with which he responded.

In the Zingaretti series he is Bruno Testori, director of the imaginary San Michele, a prison near the border with Slovenia. Testori is a textbook negative protagonist of seriality pay tv: he has a lot of power and abuses it without hesitation, but he does it because for work he has to deal with evil; he sniffs cocaine and goes to prostitutes, but is tender with his daughter and still in love with his ex-wife; exudes hubris and he believes himself to be God, but his kingdom is in danger. He re it has a somewhat old conception, I can’t help saying it: we’ve seen so many bad serials, I doubt anyone will really startled to see Testori spread a strip of white powder. A tale so centered on the Shakespearean drama of a charismatic semi-villain sometimes gives the impression of being yet another epigone of the genre created by the Soprano now more than twenty years ago.

Conversely, of prison drama we have seen few Italians, and He re has the great merit of moving within the genre without pretending to formulate a judgment on the Italian prison system, but without ever falling into superficiality or lack of self-awareness. Prison in Italy is a permanent emergency front, as the screenwriter Peppe Fiore said, it is a topic that is not easy to talk about. Placing the dramatic conflict within a single human being is a very specific field choice that works here, but the microworld that surrounds it (guards, inmates divided by ethnic factions, other organs of the state) is credible and interesting. The gloomy photography, the wide angles, the locationeverything is well harmonized in creating a tense and dirty atmosphere, very coherent and effective.

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He re
Stefano Bises, Peppe Fiore, Giuseppe Gagliardi, Bernardo Pellegrini, Davide Serino,
Sky e Now

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