Home » Nana renews contract with Pledis Entertainment for the third time since her debut 12 years | After School | Lin Zhener

Nana renews contract with Pledis Entertainment for the third time since her debut 12 years | After School | Lin Zhener

by admin

[Epoch Times December 08, 2021](The Epoch Times reporter Zeng Weixin compiled a report) Pledis Entertainment announced on the 8th that the company has renewed its contract with singer and actor Nana (Lin Zhener). This is the third time Nana has renewed its contract with Pledis Entertainment after 2017 and 2019.

Pledis Entertainment stated that in the 12 years since her debut in 2009, Nana has been active in various fields as an artist under Pledis Entertainment. Especially Nana, who started her activities as an actor in 2016, has accumulated experience and accumulated experience with her unique personal touch. Established its status as a popular actor and became a model for Pledis Entertainment‘s artists to learn from.

The company mentioned that Nana renewed her contract with Pledis Entertainment for the third time based on the trust she has accumulated in the company for a long time since her debut. The two parties have respected each other and accumulated trust under the true partnership for a long time, and the company will continue to fully support Nana’s diversified activities focusing on acting in the future.

Pledis Entertainment said at the end of the statement that it hopes that everyone will give warm care and support to the future that Nana and Pledis Entertainment have jointly described.

Nana, who debuted as a member of the girl group After School in 2009, debuted as After School’s Orange Caramel in 2010, and Nana, who renewed her contract with Pledis Entertainment for the first time in November 2017, and renewed with the company in November 2019. make an appointment. Last year starred in the Korean drama “Teacher Watch”, and this year starred in the Korean drama “Oh! This is the third time she has renewed her contract with Pledis Entertainment.

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Editor in charge: Su Yang

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