Home » “Rebel” and “Kite” Who is the new ceiling of the domestic spy war drama? |Rebels|Kite-TV Series_华商网娱乐

“Rebel” and “Kite” Who is the new ceiling of the domestic spy war drama? |Rebels|Kite-TV Series_华商网娱乐

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[摘要]“Rebel” won to the end. With the ending of this hot drama, the open ending has caused a lot of discussion on the Internet.

“Rebel” won to the end.

With the ending of this hot drama, the open ending has caused a lot of discussion on the Internet.

Regarding “Lin Nansheng and the heroine are be or he”, there have been many interpretations, and even “Lin Nansheng represents countless postmen back then. Some Lin Nansheng sank underwater and sacrificed, and some Lin Nansheng was rescued and reunited with the heroine. In the ending, there is also the high-level interpretation of “Lin Nansheng was rescued but the heroine sacrificed”, which also marks the perfect realization of the high-profile opening and high-profile ending of “The Rebel”.

Before the show aired, even Zhu Yilong’s fans might not have such high expectations. Many people who still regard Zhu Yilong as a traffic star even think that this show cannot escape the “idol spy war drama”. Destiny to go.

But judging from the feedback after the broadcast, “The Rebel” and Zhu Yilong have clearly broken all preconceptions.

According to China’s audio-visual big data, the average viewership rate of each episode of “The Rebel” reached 1.5%, ranking first in the single-channel viewership rate of prime-time TV dramas. It can even be said that it has been the first in the drama’s viewing ratings since its inception. At the same time, the show is also the most popular online star drama in the 21 years up to now.

Standard network double burst.

And until the finale, the Douban score of the show remained steadily at 8.3, without any unfinished results.

After “The Pretender”, it has been a long time since any domestic spy war drama can achieve such results. Even the new classic “Kite” by Liu Yunlong, the king of spy warfare, is still poor in mass communication.

In my opinion, the success of “The Traitor” has at least two meanings.

One,It marked the official bid farewell to the quiet period of domestic spy war dramas and became a popular genre on the market again.

Second,After “Pretender”, the 6-year-old domestic spy war drama explosion blank was filled inIn addition, the series became popular with many supporting roles such as “Chen Moqun”, allowing Wang Zhiwen to return to the vision of a new generation of audiences, and thoroughly established Zhu Yilong’s status as an acting school, spy war drama, which once again became a celebrity drama.

Then the next question is, “Rebel” and “Kite”, who is the new ceiling of Chinese spy war dramas after the classic spy war dramas such as “The Latent”, “Cliff” and “The Pretender”? Or,What is the position of “Rebel” in the Chinese spy war drama?

Why did “The Rebel” beat all the domestic spy war dramas after “The Pretender”?

Why is it demarcated with “The Pretender”?

Because “The Pretender” is the last spy war drama that has achieved success in both word of mouth and ratings, after it, before “Rebel”, only the king of spy war Liu Yunlong’s “Kite” Douban scored 8.8 points. , Created a small climax of a spy war drama.

With the exception of “Secret and Great”, almost all other works have fallen into a state of declining reputation, and there have been few hits in ratings, including Liu Yunlong’s “Kite”, which has not become a hit in the meaning of ratings.

  Why did “The Rebel” break the game? Two words: rebellion.

Where is the rebellion?

  One is the rebellion in the IQ of the domestic spy war drama.

The spy war drama is a cat-and-mouse game of light and dark.

After the “Pretender” became popular in 2015, idolized spy war dramas appeared in a swarm. Only in the second year, a group of spy war dramas such as “Sparrow”, “Decryption”, and “Rouge” appeared, such as “The Sparrow” “The popularity of ratings has allowed the market to target the “idol + spy war” trend, and a large number of works have followed the trend.

Later well-known works include “Get Out” starring Chen Kun and Wan Qian; “Patriot” starring Zhang Luyi and Tong Liya; “The Perfect Clothes” starring Qin Junjie and Xu Lu; “Autumn Cicada” starring Ren Jialun and Li Man; Pan Yueming “The Man in the Game” starring Zhang Yishan; “Jingzhe” starring Zhang Ruoyun, etc.

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These dramas generally have a gorgeous lineup. As long as they respect the audience in terms of narrative and basic logic, they are likely to explode.

However, looking back at the spy war dramas that have “broken” in recent years, all of them have loopholes in the basic narrative logic. The protagonist has opened his cheats. Even the well-known “Get Out”, etc., basically have obvious logic. Loopholes.

On the other hand, “The Rebel”, the solid and rigorous plot line is an important part of winning public recognition.

After all, the most attractive spectacle of the spy drama is the brain-burning details. If the tightrope of the plot cannot be fascinating, the other elements are a gimmick.

In “The Rebel”, a series of intense and exciting detection and counter-detection wits, secret office scenes, are staged one after another. The whole drama is repeatedly switched between setting and breaking, so that the audience can’t stop. The prime soaring.

Moreover, the rhythm is tight throughout the whole process, and the pits dug are basically buried. It is really a virtue, and the reputation of the ratings is the feedback to the virtues.

  Second, rebellion against the domestic spy war drama routines.

After the spy war drama, especially the idol spy war drama, became popular, the spy war dramas with obvious suspicion of following the trend and imitating have also sprung up like mushrooms after the rain. However, the rigidity, repetition, and lack of novelty in the subject matter quickly make the audience feel tired.

Some netizens complained, opening spy war dramas is always the same as the third child-checking passwords, breaking secret words, and looking for undercover agents.

The narrative style of “The Rebel” is indeed anti-routine. There is no need to find an undercover, it will explode the undercover as soon as it comes up.

It is Gu Shenyan played by Wang Zhiwen.

Many protagonists of spy war dramas approached gods and opened gold fingers throughout.

Nothing in this drama. Lin Nansheng’s talent as an agent is reflected in his memory and observation ability, but the lack of experience is also shown in the drama. Even if he grows up later, he cannot stop his comrades and comrades from being around him one by one. sacrifice.

This is the huge novelty of the drama. After many years, we finally have a beautiful undercover who basically doesn’t open gold fingers.

  Third, there are more rebellious emotions in domestic spy war dramas than in spy war dramas.

For example, in 2016, the heroine spy war drama “Rouge” starring Zhao Liying and Lu Yi, the emotional scene is obviously better than the spy war, and the audience is completely confused about whether the focus is on the spy war or the target.

Although “The Traitor” has problems with the emotional drama of the male and female heroes, the overall emotional line is relatively weak and does not occupy the main space of the plot.

The emotional drama between the male lead and the female second is even more complete, preventing the episode from becoming a love triangle.

All this makes “The Rebel” and all the spy war dramas of the post “Pretender” period apart from “Kite”.

So the next question is: Who is better than “Rebel” or “Kite”?

Put “Rebel” and “Kite” together, the difference comes out

In many dimensions, “The Rebel” has not fallen behind.

  First, it is better than IQ.

Liu Yunlong’s spy war drama focuses on “wisdom fighting”, and focuses on shaping the suspenseful atmosphere of the spy war drama.

Many netizens like “Kite” because of its “brain-burning”-fast pace, large amount of information, clear logic, and respect for the audience’s IQ.

However, “Kite” also has a consistent shortcoming in the Spy Game Liu Yunlong drama, that is, the lead actor played by Liu Yunlong himself has too strong IQ, basically overwhelming all other characters, resulting in an excessively large IQ gap.

Regardless of whether “Rebel” is a decent or a villain, all members have an IQ online, and the villain has not reduced their intelligence, so they are relatively evenly matched.

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Moreover, the strength of the villain brings a strong sense of oppression to the audience. Even the veteran “postman” who has been lurking in the secret service for more than ten years has suffered many dangers, and the last flaw is difficult to retreat.

in some meaning,“The Rebel” actually outperformed “Kite” in terms of intellectual performance.

  Second, compare to characters.

Liu Yunlong has always been extremely good at shaping the characters in spy war dramas.

But in Liu Yunlong’s spy war drama, the male protagonists are all strange people, even almost superhuman!

For example, “Devil Six”, when he comes out, he wears sunglasses and a trench coat, with a slanted smile.

“The Rebel” is different. In this play, there are no strange people, let alone superman. Lin Nansheng is an ordinary person, Gu Shenyan is an ordinary person, and even Wang Chen Moqun and Wang Shian are ordinary people.

But the drama portrays the human nature, growth and choices in a special era.

For example, Lin Nansheng, played by Zhu Yilong, is just a young man who has not been deeply involved in the world and has the ideal of saving the country.

He was taken to Shanghai by the king to help him get rid of the traitor. However, after seeing the patriotic actions of Gu Shenyan, Zhu Yizhen and other Communist Party members, he chose “rebellion” and grew up as a firm Communist Party member. His professional ability was also improved in actual combat, so he was called the “cultivation system” by the audience. Agent Lin Nansheng.

And in most episodes, supporting actors often cannot escape the fate of the tool man, including the Spies and Dragons drama series, where the brothers live and die for the sixth elder brother. In order to see his sixth brother, he was willing to be arrested.

And “The Rebel” brought a lot of surprises to the audience. From the fierce “Drag King” Chen Moqun and “Fox King” Gu Shenyan to the carefully thoughtful “Fish King” Wang Shian, almost All overthrew their initial persona.

  Especially the drag Wang Chen Moqun, how dragged the opening, how embarrassed the ending, how long has there been such a dramatic villain in a domestic drama?

So inIn terms of character creation, “The Rebel” is better than “Kite”.

Then why do I still have to say,“Kite” is still better than “Rebel” in overall quality?

  What is clear is the intention.

It’s not that “The Rebel” is a soft persimmon. On the contrary, “The Rebel” is focused on this one, and it can completely hit over 99% of the domestic spy war dramas.

Why is the protagonist rebellious? The answer is, from Zuo Qiuming’s “As long as he is still on the same road, he will meet after all” to Gu Shenyan’s giving up his life and forgetting his death, they all pushed the protagonist to rebellion step by step.

So why did “The Rebel” still lose out to “Kite” in terms of intention? It’s not that the former is bad, but “Kite” has brought the ideological height of the domestic spy war drama to a peak.

It may even be: there is no one before, and there is no one afterwards.

The interpretation of the kite in the drama and the display of the fate of a generation of kites have completely reached the culmination of similar themes, so only with this part, “Kite” has completed the overtake of “Rebel” and has stood firm in recent years. Come to the best quality domestic spy war drama.

  But in terms of popularity, “Rebel” is better than “Kite”. It has done what “Kite” did not: re-hype spy war drama.

After “Rebels”, will domestic spy war dramas rise or fall again?

Why have domestic spy war dramas fallen into a slump in recent years?

In fact, it has something to do with the “high starting point” of the spy war drama. From “Eighteen Years of the Enemy Camp” in 1981, domestic spy war dramas have a history of forty years.The 2006 “Hunting” was the beginning of a new round of spy war dramas, and the 2009 “Latent” was the pinnacle of spy war dramas.

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  Although “Before Dawn” in 2011 did not reach the level of “Latent”, it borrowed from the shooting methods of American TV dramas to make the narrative rhythm of the spy war drama reach a new height, and “Cliff” pushed the plot and characterization of the spy war drama to a new level. New peak.

The “blowout” of domestically produced high-quality spy war dramas undoubtedly laid a good aesthetic foundation for the audience, but it also created tremendous pressure for the latecomers to surpass.

Even Liu Yunlong himself, known as the king of domestic spy warfare, actually encountered Waterloo in his last performance in “Winning Probability”, and Liu Yunlong did not shoot spy warfare dramas, and the spy warfare drama market seemed to be suddenly “cold”. .

Looking at the spy war drama market in recent years, not only the output is much less than before, but the market feedback is not satisfactory. The better-performing “Peace Hotel” and so on were not considered explosive dramas until “The Rebel” appeared.

The question is, is “The Traitor” a necessity or an accident?

The answer is: chance is greater, andThe biggest variable of the series, except for the unexpectedly solid script, is the starring actress of the series: Zhu Yilong.

Compared with the carelessness of many spy warfare idol dramas in the past, “Rebel” summed up in one sentence, this drama has suspense, spy warfare, and growth. And can see the big from the small, and use the male protagonist’s personal experience to examine the torrent of the times.

But in addition to the relatively solid script, another key is that Zhu Yilong’s performance exceeded many people’s expectations. In the past, many people have said that Zhu Yilong’s supporting roles performed better than the protagonist, and the performance was not explosive.

But this time, in the face of many acting masters, Zhu Yilong has achieved high-energy output at all levels of the role and has been widely recognized by the audience.

His modeling of the protagonist “Lin Nansheng” can be said to be hierarchical, methodical and logical.

And similar to the highlight of when he was taken into a secret room by his boss and looked at a tortured teenager from close range, his doubts reached its peak, Zhu Yilong contributed explosive acting performances.

we can even say,It was Zhu Yilong who played the role of Lin Nansheng that moved the audience, because Zhu Yilong’s performance was too rich and delicate. He gave his character to this role, which gave the audience such a strong empathy.

Of course, in addition to Zhu Yilong, another huge accident in the drama is the intrigue and intrigue in the Shanghai Secret Service in the play. It is simply a copy of the modern workplace. “Secret Service F4” performed wonderfully. Wang Yang, Wang Zhiwen and Zhang Zixian performed all out of the circle. , This is also a rare thing in domestic spy war dramas.

This contingency may not be reproduced.

But accidents are also inevitable. For example, the success of the series has reminded creators: even if the “golden age” of spy war dramas has passed, the tastes of the audience are different from those of many years ago.But spy war dramas that are anti-routines, do not degrade intelligence, and respect the IQ of the audience are always popular.

And spy war dramas are not equivalent to intrigue dramas. Only when the characters are erected can they truly move people’s hearts. Because under the bright red curtain of the times, what really impresses the audience is Zhu Yilong’s Lin Nansheng, Wang Zhiwen’s Gu Shenyan, Zhu Zhu’s Miss Lan, and even the embarrassing drag Wang Chen Moqun.

Only by letting the audience see the power of faith and the brilliance of humanity, the sacrifice of desperation, and the silent forbearance, can the spy war drama bring the domestic spy war counterattack like “The Rebel”.

In this sense, whether the domestic spy war drama will rise or fall again depends on whether “Rebel” is an end or a new beginning.

Edit: ZQ

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