Home » Screenwriter Wang Hailing talks about the adaptation of the script of “The World”: adding brightness and warmth to the background of the original work

Screenwriter Wang Hailing talks about the adaptation of the script of “The World”: adding brightness and warmth to the background of the original work

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Screenwriter Wang Hailing talks about the adaptation of the script of “The World”: adding brightness and warmth to the background of the original work

Screenwriter Wang Hailing talks about the adaptation of the script of “The World”: adding brightness and warmth to the background of the original work

2022-02-23 11:37:25Source: Beijing Evening News

The 58-episode TV series “The World” is being broadcast on CCTV’s prime time and iQiyi, and it will also land on Jiangsu Satellite TV on February 24. As of February 18, the average viewership rate of the whole drama was 1.47%, the average viewership share was 6.18%, the highest viewership rate for a single episode was 1.78%, and the highest viewership share for a single episode was 8.36%. one. For Wang Hailing, the screenwriter of the play, it is not so easy to adapt this tome with the Mao Award halo. For her, the process of writing the script of “The World” is also an unforgettable “growth”.

Thank you Liang Xiaosheng for not interfering

Before formally deciding to take over the adaptation task of “The World“, Wang Hailing did not read the original work completely. To this end, she bought a novel for study, and only after reading did she decide to formally approach director and chief producer Li Lu, “Originally, the playwright said they would send me a book, but I refused. What if we can’t reach a deal?” Previously, Wang Hailing had representative works such as “Holding Hands” and “Chinese Divorce”, but her modest contact with the producer still went through the process of “mutual interviews”.

Wang Hailing said that the part of “The World” that impresses him is the main purpose of the author’s writing, “It is to speak out for the people living at the bottom and tell their stories. The protagonist Zhou Bingkun was born in 1952 or 1953, and he is the same age as me. I have personally experienced the era.” But she has her own opinion on the relatively heavy and deep background of the original book, “The background color of the original book is steel and blue-gray, although it makes people feel the tenacity and tenacity of the protagonist, But it is also heavy. My personal attitude towards life is to hope to see more bright and warm parts.” This concept coincides with the main creative team of the show. The two sides reached a consensus and signed the contract immediately.

Although he is a “veteran” in the screenwriting industry, Wang Hailing admits that this adaptation is actually very difficult. In her opinion, the literary foundation of “The World” is very good, but the literary nature of the work has brought many challenges to the adaptation, “”The World” is pure serious literature, and the biggest feature of serious literature is that it writes People, there are not too many stories, not too much drama.” This feature is completely opposite to film and television scripts, “Script adaptation requires story and drama, in addition to the usual externalization, all psychological activities are required. , descriptions are externalized through images, there must be coincidences, ups and downs, and twists and turns, this is the biggest difficulty.”

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Fortunately for Wang Hailing, she met a very tolerant original author and production team. The author Liang Xiaosheng did not give too many opinions on the choice of the script for the original story, and she only played with Liang Xiaosheng once in the whole creation process. telephone. “I am especially grateful to Liang Xiaosheng. I think he understands me very well and doesn’t interfere with me, because all he has to say is in the book.” Wang Hailing also believes that a good screenwriter should not lose himself, “screenwriters should have their own opinions and If you just ask for opinions, if you say that the east wall is not good, you will tear down a brick of the east wall, and if you say that the west wall is not good, you will make up a brick, and the screenwriter will be very bad at this point.”

Lei Jiayin adds a lot to the role

The story of “The World” revolves around the three brothers and sisters of the Zhou family in the “Light Character Film”. In the span of nearly 50 years, the protagonist Zhou Bingkun’s life has gone through various twists and turns. Different from the heroic aura of the protagonists of most film and television works, Zhou Bingkun is not like his brother and sister who can get into a good university and change his future and destiny, and he has not achieved any great achievements. Taking ordinary people like Zhou Bingkun as the protagonist is what Wang Hailing believes is the core value of “The World“.

“The essence of “The World” is to write about ordinary people, and Zhou Bingkun’s ultimate goal is to live well in his own family.” Wang Hailing believes that past film and television works like to portray heroes and like to emphasize the righteousness of the family and country, but “The World” needs to It presents both a macro and a micro world. “Everyone and a small family form a society. Among the three brothers, the elder brother is dedicated to everyone, and the younger brother is dedicated to the small family. Such a harmonious family and the fate of one brother and sister constitute us. Past history.” Wang Hailing believes that after the long river of history, today’s audience can understand Zhou Bingkun’s values, “We hope that all ordinary people can live well and be comforted. After all, not everyone is born with a halo. An independent individual, what is the meaning of life. You don’t necessarily have to make much contribution to mankind, but you can make a contribution to your own small family. Without a small family, there would be no everyone.”

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Hearing that actor Lei Jiayin was “very close” to Zhou Bingkun in the play, adding a lot to the role, Wang Hailing also expressed his satisfaction. She believes that it is Zhou Bingkun’s simplicity and cuteness, which makes the audience feel gratified, “Everyone is willing to watch heroes, but whether civilians or heroes, if you can write something profound with human nature, you will be recognized. Unless you write ordinary and ordinary, and the audience. The focus is not aligned.”

The story of “The World” is filled with a lot of details of life. The span of nearly 50 years seems to be complicated, but the expression of the overall life flow gives people a feeling of complexity but not chaos. Wang Hailing revealed that the secret of success lies in the details. Through a lot of details, the relationship between the characters is built, so that the audience can establish emotions for the characters, and then develop empathy.

Shoot and change with the actors

As an influential screenwriter in the industry, Wang Hailing admitted that the creation process of “The World” was particularly difficult, and the urgency of the schedule brought her a lot of pressure. The play was jointly launched by Tencent Pictures, Xinli Media, and Yuewen Film and Television “Troika”. When the crew officially started, Wang Hailing’s script had not been fully written, “Because the main creator has too much trust in the screenwriter, we entered the side filming. The way side writing works.”

Wang Hailing revealed that this kind of work progress can be said to be “very stressful” for the elderly, “I work 8 hours a day, I sit in front of the computer in the morning, take a nap for an hour at noon, and work until the evening in the afternoon. For an old man, it is a process of creating something out of nothing and taking it out of the brain.” The script has made many changes to the novel, and during the shooting process, actors will send WeChat messages from time to time to discuss with Wang Hailing the rationality of the characters’ actions and settings. . Wang Hailing said bluntly that among the many characters in the play, the settings of some of them have been adjusted according to the opinions of the actors, especially Zheng Juan played by Yin Tao, a character she rarely encounters in her life experience. Having worked, and being such a brave and staunch woman who is so determined in the face of love, is too far from my life, it is very difficult for me to imagine, and it is difficult to empathize.”

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When the actor is fully committed to the role, he will find that there are some unreasonable areas in the script that need to be improved. Wang Hailing revealed that he wrote the script during the day and received WeChat messages from literary editors and actors at night. Most of the voices were about the adjustment of roles and plots. Yin Tao once pointed out that, as a sister-in-law in the family, Zheng Juan’s story has absolutely no intersection with her elder brother Zhou Bingyi, and such an explanation should be given. The actor Cheng Taishen, who played the second brother-in-law Feng Huacheng, also raised a lot of questions about the character’s setting, and finally rationalized the character setting of the scumbag in the original script. “This change improves the motivation for character transformation, so that the characters are not bad for the sake of being bad, and it is more in line with the overall temperament of our play. From this point of view, the changes proposed by the actors are correct.”

“Our actors are really good. They are all devoted and their opinions are very reasonable.” Wang Hailing admitted frankly that the creation process of “The World” is full of interactions with the director, actors, and production team.” Love each other and kill each other”, this mutual growth also made her more respectful of content creation, and it was the extremely strong creative attitude of the entire crew that finally ensured the “100%” “100%” script of “The World” without wasting scenes and actors. “. “For me, it’s also a growth,” she said.Reporter Li Xiazhi

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