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Sorrow and sadness after ink and wash

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“Ukiyo-e” by Pan Li, Hunan Fine Arts Publishing House, October 2020 edition

Author: Le Lijun (Doctor of Fine Arts, Lecturer of Department of History, Shanghai Academy of Fine Arts)

I have been fascinated all my life, dreaming to Kyoto. When it comes to Japanese culture and art with a strip of water, people can’t help but talk about the vivid fragrance and flashy life in the “Ukiyo-e”. In fact, Ukiyo-e is not only an artistic form of expression with unique national characteristics in Japan, but also focuses on showing the world a vivid picture of secular life. “Ukiyo-e” rejected a high-cold and independent reading posture, and reproduced the past and present of Ukiyo-e and masterpieces in a panoramic manner. Professor Tada Kobayashi, chairman of the International Ukiyo-e Society of Japan, called it “China’s first comprehensive and in-depth study of Ukiyo-e.”

Connecting to Japanese life from “Ukiyo-e”. Since the end of the 17th century, the center of Japanese culture has gradually shifted from ancient Kyoto to Edo, where the shogunate is located. The characteristics of Japanese art have also evolved from advocating patterned decorative craftsmanship to depicting customs and themes of people’s livelihoods on the stage of the city, Ukiyo. Painting came into being under this cultural background. During the Edo period, the national economy and culture prospered unprecedentedly. Ukiyo-e depicts the daily life and folk customs of ordinary people in this period, vividly expressing the life and fashion of all classes of society at that time. There is a poem in the “Ginxian Ji” of “Kabuki Kusoko Picture scroll” that appeared in 1630 (Kanei 7th year), which reads to the effect: “The floating world is nothing but a dream, so why take it so seriously? Make an eternal memory.” Poetry reflects the general mental state of the Japanese at that time, and it is against this background that genre paintings came into being. What kind of elegance does the Japanese market have? What kind of sadness and sorrow are hidden behind the ink and wash? In the book “Ukiyo-e”, the author quoted a “Luo Zhongluo Waitu Screen” from the early 17th century (the Zhoumu Family Collection). The screen detailed the scene of Kyoto city, vividly interspersed with the livelihood of the people, including people of various colors. , “Like a dazzling gem box in the darkness of war” is a heavy color smeared on the “Floating World of Dreams”, which opened the curtain for the subsequent appearance of Ukiyo-e.

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See Japanese history from “Ukiyo-e”. Reading an orthodox “History of Japan” for a long time always makes people feel a bit boring. This “Ukiyo-e” can be said to be a history of pictures from the Edo period in Japan, and the method of combining pictures and texts satisfies the current reading interest of Peppa Pig’s “social man”. In the history of Japan’s development, historical events such as the “Leniency Reform”, “Genpei Battle”, and “Meiji Restoration”, as well as the themes, costumes, scenery and even the evolution of painting styles depicted in Ukiyo-e, are all corresponding to the historical process. Things. The appearance of modern products such as steam trains, railways, and Western-style buildings on the “Civilized Civilization Painting” can be distinguished one by one on the screen of “Ukiyo-e”. When Japanese art “crossed the ocean” and Ukiyo-e spread to Europe, it caused uproar wherever it went. From “Japanese taste” to “Japanese doctrine”, the history of Japanese culture and economy were connected based on the style and historical content of the work. History, history of Japanese-foreign exchanges, etc., more fully reflect the international influence of Japanese art in “Ukiyo-e”. There is no doubt that the way of narrating history with pictures and texts is more in line with the aesthetic taste of the popular context than serious Japanese history works. This is also the value of Pan Li’s revised edition.

From “Ukiyo-e” to Japanese art. Although Ukiyo-e has been influenced by Chinese culture from the very beginning, the “ancient and even primitive social structure and character” of the Yamato nation, as well as the widespread emotion of “sorrow” and the strong sense of life, are sneaking in the Ukiyo-e. The most profound cultural gene in the country. Because of this, Suzuki Harunobu transformed Yishi’s mind into sons and daughters, Fengyue, and compared it to snow with silk wool; even the ghostly ghosts and charms created by Kuniyoshi Utagawa are permeated with the evil spirits of ghosts and charms, thus presenting a rich texture. Ukiyo-e’s modeling language has the mixed characteristics of Chinese painting and Western art, emphasizing the expressiveness of lines and the decorativeness of colors. In terms of narrative, you can see the grandeur of the scatter perspective pictures and capture the western paintings. The use of light and shadow performance and focal perspective techniques. The author said at the end of the article that if there is no Ukiyo-e, Japanese art will undoubtedly be greatly reduced. Ukiyo-e fully embodies the unique aesthetic concept of the Japanese nation and makes it occupy an important place in the history of world art.

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责编:赵宇 ]

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