Home » “The Trojan Woman” premiered in the cloud with over 150,000 viewers, achieving an exploratory breakthrough in the form of theatrical performances-Hangzhou News Center-Hangzhou Net

“The Trojan Woman” premiered in the cloud with over 150,000 viewers, achieving an exploratory breakthrough in the form of theatrical performances-Hangzhou News Center-Hangzhou Net

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“The Trojan Woman” premiered in the cloud with over 150,000 viewers, achieving an exploratory breakthrough in the form of theatrical performances

Hangzhou Daily News On the evening of the 14th, the ancient Greek classic symbiosis theater “Women of Troy”, produced by the Hangzhou Dramatic Art Center and performed by the Erba No. 0 Theatre Troupe, successfully premiered.

As the first work of the Er 8 No. 0 Theatre Company, under the background of normalized prevention and control of the epidemic, the play adopts the “cloud live broadcast” viewing mode, and the cumulative number of viewers on more than ten platforms exceeds 150,000, realizing the dramatic performance in the form of drama. Exploratory breakthrough.

“Trojan Woman” was art directed by national first-class director Wang Xiaoying, adapted by young director Zhang Yidan, and assembled with an excellent domestic creative team, which took 5 months to complete. The original work of the play is “The Philosopher in the Theater” – Euripides, one of the three great tragedies of ancient Greece, translated by Luo Niansheng.

Breaking the constraints of the theater “wall”

Focus on the power of women and the brilliance of human nature

“The work “Women of Troy” originated from my master’s graduation. When I first read this ancient Greek tragedy, it deeply touched my heart. Especially the power of these women, Euripides under the city-state system Women’s own thinking, and the interpretation of women’s images rather than a single portrayal.” Director Zhang Yidan said that he used three distinctive and typical Trojan women as the main perspective during the adaptation process. “I hope that this drama will focus on people, people’s emotions, people’s spirit, and people’s brilliance, so as to tap out the strength of women who combine hardness and softness.”

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The grieving but resolute city-state queen Hecuba, the crazy and sober priestess Cassandra, the obsessed and stubborn princess Andromache, Wang Juan, Teng Yanwei, Wang Jiayi three actresses with their vivid characters, Abundant emotions and contradictory emotions, the three people’s different destiny conflicts under the war, and the common human force of human nature are vividly interpreted. Actor Song Hoon’s interpretation of Tartibios symbolizes an external force of absurdity, murder and evil.

In this version of “Women of Troy”, Helen, the peerless beauty who sparked the war, does not appear. “Is it really Helen who made this once glorious country full of holes? Isn’t it because the Asian monarchs have unlimited desire for territory and wealth? When we walk out of the theater, I hope we can get to know each other.” Zhang Yidan said, The main purpose of this drama is not only to criticize war, but also to hide the multi-level contradictions between life, freedom, justice and human nature that need to be examined and considered.

Art director Wang Xiaoying proposed: “The true meaning of cross-cultural drama lies not in ‘cross’, but in ‘combination’.” In the exploration of aesthetic tone, “The Trojan Woman” has realized the two civilizations of China and ancient Greece in different eras. Fusion symbiosis. The ancient Chinese intangible cultural heritage shadow play is added to the play, which skillfully integrates the huge and complex narrative of ancient Greek dramas. The traditional Chinese musical instruments, the hall drum and the sound of scorpion, are creatively woven into a symphony of destiny in the style of loose music.

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From nothing, from 0 to 1

Break the original tradition and possibility of Hang dialect

The successful premiere of “Women of Troy” is the first step taken by Er 8 No. 0 Troupe to break the original tradition and possibility of Hang Dialect.

“Before this, we in Hangzhou dialect have hardly created drama works from the perspective of women.” Zhang Yuan, general manager of Hangzhou Drama Art Center, said that in the future, the troupe of Er 8 No. 0 will present an independent and publicized quality – in artistic creation There is no limit, and the performance is out of bounds. “Next, we will further carry out the exploration and innovation of female-themed works. At the same time, through the ‘Qingrui Talent Program’, we will support and incubate our own young creators and original theatrical works independently created.”

In September 2021, Hangzhou Drama Art Center’s new drama label “Er Ba No. 0 Theater” was officially established. A group of young drama art youths with an average age of less than 25 years old, young but with independent insight, courage to express, and enthusiasm for creation. Now in the troupe, there are newcomers like Wang Jiayi who have joined the troupe for about a year or two, as well as the backbone of the local drama stage like Wang Juan and Teng Yanwei.

“As long as they dare to challenge themselves and have the courage to break the old and create the new, they can join the 280 No. 0 troupe.” Zhou Quanqi, the producer of “Troy Woman” and the project leader of the troupe, said that he used to be in charge of stage beauty and makeup in Hangzhou, but now he has become a theatrical producer. “In 2800, this group of young people will lead the way. Actors can realize a director’s dream, and stage beauty can also create a good script. Their energy and creativity are immeasurable.”

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“However, if young people want to become famous and start a family, they must have works that people can remember. We must use good works to retain and nurture good actors.” Zhou Quanqi introduced that after “The Trojan Woman”, another drama of the 280 Zero Troupe A more modern and experimental original drama “Mobius Hotel” is about to be created. At the same time, the troupe also launched newcomers in the form of project cooperation, such as the recent drama “Influence and Influence” with young dancer Li Xiang.

To cultivate the “pillars” of tomorrow, it is even more necessary for the literary and art troupe to set up a glorious stage for them. “Next, we will take root in the Hangzhou Theatre Festival, and continue to push the new force and original works of the Er80 Theatre Company to the most active stages in China, such as the Wuzhen Theatre Festival, the Daliangshan International Theatre Festival, and the Anaya Theatre Festival.” Zhang Yuan hopes that this group of young people who are brave in self-innovation and full of cultural self-confidence can make their youthful youth shine on the journey of building a new paradise.

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