Home » Xu Fan: This is my last time playing Ruan Lingyu. I hope young actors can continue._Stage_Performance_People

Xu Fan: This is my last time playing Ruan Lingyu. I hope young actors can continue._Stage_Performance_People

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Xu Fan: This is my last time playing Ruan Lingyu. I hope young actors can continue._Stage_Performance_People

Original title: Xu Fan: This is my last time playing Ruan Lingyu, I hope young actors can continue

Cover reporter Su Yu

“This is the last time I will play Ruan Lingyu, and I will say goodbye to her after these 6 shows. I hope the young actors of our theater can continue to perform on the stage.” Xu Fan said.

On June 20, the Beijing People’s Art Academy’s celebration play “Ruan Lingyu” met with the audience. This work, written by Jin Yun and directed by Lin Zhaohua, Ren Ming, and Han Qing, uses poetic language, a flowing stage, and the interpretation of powerful actors such as Xu Fan, Pu Cunxin, Sun Xing, Miao Chi, Li Zhen, etc., for the audience. It presents the dream life of a legendary actor.

“Ruan Lingyu” premiered in 1994. As another distinctive repertoire on the Beijing People’s Art stage, it is not only about a well-known artist, but also about profound human nature. The classic has gone through 28 years, and the two leading actors Xu Fan and Pu Cunxin have also performed in two editions so far.

A still from the play Ruan Lingyu.

Winning the “Plum Blossom Award” 28 years ago is a different interpretation of Xu Fan

28 years ago, Xu Fan won the Chinese Drama “Plum Blossom Award” for his outstanding performance in “Ruan Lingyu”; 28 years later, the 70th anniversary of the founding of the Academy of Arts and Crafts reorganized “Ruan Lingyu”, and once again performed the “famous work” of that year, Xu Fan. It is re-characterized with a more mature understanding.

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“It seems that after more than 20 years, the role of Ruan Lingyu is really completed in this performance. Because performance is not only the creation of a character, but also the process of following a character’s psychological growth, and now I understand Ruan Lingyu better.” Xu Fan in the media Speaking to the cover reporter during the meeting.

Xu Fan said frankly that when he was young, his performance was too much emphasis on details, and he was very hard when he acted. “From the bottom of my heart, I am very reluctant to Ruan Lingyu, but from the perspective of growth, I have to leave Ruan Lingyu. I hope young actors can interpret it.”

A still from the play Ruan Lingyu.

“Alternation of Time and Space” interprets the legendary life, both real and fantasy, highlighting the sense of drama

Ruan Lingyu is an important figure in the silent era of Chinese cinema. In her short 25 years of life, she left behind nearly 30 excellent works, and also left behind a few love songs of unkind love. His tragic life has been interpreted by various art forms such as movies, TV dramas, and operas.

The script style and stage presentation of “Ruan Lingyu” are different from the traditional narrative mode. The play uses the technique of “montage” on the stage of the drama to conduct space-to-space dialogue, alternate time and space, and use the “play within a play” style series to break the reality. With the space of imagination, the stage narrative method is re-established. It focuses on depicting Ruan Lingyu’s “round and flawed” personality and the delicate heart of the characters. In the play, the stage is transformed into a huge studio, where the changes of time and space are completed. A unique scene within the scene, but also promote the development of the plot.

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“The form is virtual, but the performance is real. In the combination of virtual and real, the actors use specific performances to realize the connection between the curtains, and the whole stage is flowing.” Director Han Qing said that although this work was born in More than 20 years ago, but still provides inspiration for the exploration of stage form.

A still from the play Ruan Lingyu.

Pu Cunxin plays different roles in drama “Performance requires imagination and expressiveness”

From Mu Tianpei in the first edition to Tang Wenshan after the revival, Pu Cunxin has played two completely different roles. In his view, an actor must have comprehension, imagination and expressiveness, all of which are indispensable. “Every time, I will deeply understand the psychology of the character and the environment he is in, what kind of person he is, so as to show the character and appearance of the character.”

“I think writing a character should be the mentality of writing a character, that is, tearing off his shell and writing his soul.” Screenwriter Jin Yun said.

On the stage is Ruan Lingyu’s wonderful but short life, and off the stage is the actor’s day-to-day polishing of the character. “Young actors can work with their seniors, which is a process of learning and growth. When we got to the crew and saw Sister Fan and Teacher Pu, we knew what we were going to learn.” Han Qing, the director of the play who also plays Xiaoyu in the play, said , the commemorative performance of the 70th anniversary of the establishment of the hospital is a tribute and inheritance.Return to Sohu, see more

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