An event within an event. The most “different” concert of all time is the one that speaks best at the moment, at the most difficult time for our country. There is no crowd but there is passion at the Auditorium in Rome, and for his “premiere” on May 1st Antonello Venditti sings, “Dolce Enrico” from the historic location of San Giovanni: symbolism, passion, feelings, desire for revenge . There is a bit of everything in this “strange” day that is a bit of a watershed between worry and recovery. The artists wade into the country but also evoke their condition. There is time, even for them to divide instead of getting closer. Moreover, despite the good intentions, the unity government is always made up of Guelphs and Ghibellines: who pulls on one side, who pulls on the other. In the day of music between notes and colors there is also time for the appeals. Fedez launches it after the arrows with Salvini, addressing Prime Minister Mario Draghi.
A monologue: «Happy May 1st and happy holiday to all workers, even to those who have a job but have not been able to exercise it for over a year. For show workers this is no longer a party … ». And then: «Dear Mario ..» where Mario stands for Draghi, president of the Council, «I understand that football is the true foundation of this country. But let’s not forget that the number of football and entertainment workers are equal. I’m not saying a few bucks, but at least a few words, a reform project in defense of a sector decimated by the emergency and which is governed by regulations established in the 1940s. Dear Mario, as has been explained with great timeliness regarding the Superlega, your intervention in the world of entertainment would be equally appreciated ».