Home » Fedez, in ‘Inhuman’ the attack on Italian politics

Fedez, in ‘Inhuman’ the attack on Italian politics

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From Matteo Renzi’s trip to Saudi Arabia to Giorgia Meloni’s book. From the League and the case of the councilor of Voghera who shot a homeless man at Andrea Bocelli and his positions on the vaccine and Covid. Fedez has something for everyone, in his new invective piece of “Inhuman” released tonight at one o’clock. The title, “Un giorno in magistrale”, is perhaps a superstitious choice for the quarrels that could come from the attacks of the text, as the singer said in recent days, ironically with his wife Chiara Ferragni. But the artistic vein mixes with the political one, in a mix that spares no one. Indeed yes: Giuseppe Conte, for whom the artist and the digital entrepreneur to whom he is linked acted as anti Covid testimonials but who also attacked after the images of the crowd in the square at the meeting of the former prime minister in Cosenza (“I am one slap in the face for entire families that are obviously non-existent for you “). In “A day in the district court” there are no direct attacks, but Fedez also criticized the former Premier. Outside the recording studio.

“I take the field because Italian politics is a serious matter: Vota Inhuman” was the announcement ten days ago, a parody of that of Silvio Berlusconi in 1994, when elegantly dressed in a jacket and tie – with a beige volpino dog on his lap and in the background a classic study – Fedez had launched his political manifesto on social media in the form of guerilla marketing of the new album. And from the lines of “A day in the magistrate’s office” there are all the attacks that Fedez had in store against Italian politics. Including the Knight, who parodied.

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The piece begins with an intro read by Giuseppe Cruciani: «All the characters and events of this song are entirely imaginary. The following song contains bad language. And because of its content it shouldn’t be listened to by anyone ». Then the quote from Renziano “First reaction: shock”, which went viral on social media, alternating with the “I am human” declared by Salvini. Fedez’s thrust on the leader of Italia Viva aims at his trip to Saudi Arabia: «My wife and I are all exhausted, all wishes fulfilled. Like Renzi when he took eighty thousand Saudi petrodollars (Ouch!) ». And again: «An ex-premier who pays compliments under dictation, to a fucking dictatorship. Who captures and cuts off the heads of gays because they are against nature (Renaissance) ». In the text, in which Fedez remembers both Giulio Regeni and Federico Aldovrandi, he dedicates an ironic passage to Andrea Bocelli and to his performances on the sidelines of UN and Unesco assemblies (“Bocelli is like bringing sparkling wine if they invite you to dinner (Good evening, good evening) / The only difference between sparkling wine and Andrea / It’s that Andrea goes to an assembly, which is a staging / Where people shout: “Bill Gates is an alien, who shoots 5G in the mood” “. Then the passage on Meloni: “How much the c-Amazon broke me / You enrich it I’m Amazon / I get enriched by Amazon / La Meloni shouting:” To the scandal, boycott the Amazon mafia, and buy my book ‘Io sono Giorgia’ . Oh my God but he is first on Amazon! ”» Says the song League and the “legitimate defense”: «And to think that euthanasia in Italy seemed a utopian thing. When to die you just need to punch a Northern League councilor in the face ».

And the hits in the tip of the bar do not end there, the album is a cascade of criticism. Nn is missing, in the passage “La cassa spinge 2021”, the reference to Codacons and to the endless disputes with the rapper: “I’m really euphoric, the Codacons have not yet sued me”, sings the rapper in the song made with Crookers, Myss Keta, Dargen D’Amico. But the track list reserves many other surprises, almost all in the name of critical observation of an Italian company where the highest price is paid by the youngest. Thus in “Faith and Hope”, sung by Fedez with the rapper Speranza, Federico seems to exhort the boys (“If you don’t fight for what you care about, you don’t get it / You don’t leave indelible footprints, walking on tiptoe”, Fedez warns, in a piece that has several autobiographical references, and then notes, “this is why the school system has failed, because it is Jurassic”). In “Stupido Stupido” («It is not a country for saints, for madmen, for Craxi“) Takes it out on the system:” You shouldn’t, drugs in sweatshirts / But not even slaps someone who is already in handcuffs, no / You shouldn’t leave him in a call center / In debt forever / Can’t you see he’s only a twenty year old? ». And he makes a joke about former partner J-Ax: “we really believe they were friends / like in J-Ax’s time.” Then in “Vecchio” with Dargen D’Amico, Fedez also mentions the controversy following his participation in the Concert of the 1st of May (“May 1st I went on stage / my lawyer is Cristiano Ronaldo”). The feelings, including the dedication to his daughter Vittoria, are the “Human” side. The inhumane one, which gives the album its title, is a river in flood and attacks everyone: from politics to Italian society.

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