Home » Passed or rejected: the ten TV series of 2021 to be canceled or reviewed in 2022

Passed or rejected: the ten TV series of 2021 to be canceled or reviewed in 2022

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THE PAPER HOUSE

Four years, a crazy escalation, from that May 2, 2017 which was the beginning of an era. From almost invisible, at the first Spanish passage, to a world phenomenon. And we were all on their side, of those brilliant robbers with the names of cities, the ones that once upon a time the cinema branded as bad. Nobody, I believe, cheered for the police. Because this time the evil is allied with a certain melodramatic romanticism, causing a blackout of the traditional parameters. Brilliant, really. To be seen absolutely and to be reviewed.

On Netflix, 5 seasons (concluded)

GOMORRA

The Naples of Gomorrah is Gotham City without Batman, venturing a bold parallelism. But it can be. The domination of the underworld is absolute and any normal life will be swept away by a river of blood. In a land without laws and without hope, in six years of vengeance and funerals, we have asked ourselves several times if there is hope in that restless darkness. Not even. The balance, however, tilts in favor of cinematographic art. Impeccable.

Su Sky on Demand (Conclusa)

SQUID GAME

Koreans have never been sentimental. Seoul-based cinematography often offered merciless films. As if to say, the centerpiece of the house. Obviously, the series that serves the poor battered and derelict humanity on the small big screen, forced to risk their lives for money, does not escape. Lots of money, of course, but for only one out of thousands of applicants. A blackmail that becomes pure adrenaline for us spectators, there is no doubt, and thanks to the excellent workmanship of the operation we forget about so much cruelty.

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On Netflix, season one (new dub)

YOU

The knowledge of Joe’s troubled world dates back to 2018. Then – you know – the seasons pile up and we have reached the third. A highly psychological thriller with some relevant peculiarities: the young bookseller, like many of us, hates incorrect humanity. Good. He, however, tends to eliminate it by justifying the extreme gestures with machinations that include a certain perverse genius. Hence the inevitable fascination. His reasoning becomes a sort of narrating self and the trick works. Some scenes are pretty heinous, watch out.

His Netflix, three seasons. Keep it going

EMILY IN PARIS

Definitely glamorous with the lovely daughter of Phil Collins nestled with care in a Paris as seductive as always. Emily, in fact, is an American in Paris, that’s it, and you know how much the French don’t really fall in love with intruders, even if the “clandestine” in question is a delightful doll. Little dresses, handbags, loves, ça va sans dire, and anything else that becomes excellent merchandise for social media is wasted episode after episode, given that the young girl from Chicago works at “Savoir”, a well-known luxury creative agency. Stuff from teenagers who hate to dress badly.

On Netflix, two seasons

LIFE OF CARLO

This time Verdone does Verdone. With some delicate interference from his friends Furio, Mimmo, Ivano, Raniero, in short, them. Carlo makes us browse his life as private as possible, although from the moment any reality becomes cinema, very little remains of reality. However we spy on a Verdone in pajamas, a Verdone who dines and dines alone, a Verdone who tries to conquer, the Verdone plus Verdone that there is with the load of the children, the mistress and the ex-wife. For those who have always followed him, a peek is a must.
His Prime Amazon

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THE SERPENT

Attention, here we are in the true history area. A miniseries that won’t give up even if you catch braised meat in the kitchen. It is impossible to resist the mad adventures of Charles Sobhraj, a gem merchant, who in the 1970s slowly poisoned tourists passing through Bangkok by taking possession of their identities, with the complicity of an unscrupulous young lady. Like him, after all. A faithful reproduction of a hippie era and culture. Essential.

Su Netflix

HOME ALL WELL

Not so. On the other hand Gabriele Muccino never offers idyllic family atmospheres, if anything he prefers prolonged earthquakes, mostly sentimental. The film already gave us a glimpse of what happens in a very bourgeois nucleus for the fifty years of marriage of the patriarch Peter and the kind lady. This time we forcefully enter the restaurant of the two, with the three children ready to battle for an inheritance. Same warmongering spirit, but diluted. A nice cast and tough passion.

His Sky

TEAR ALONG THE EDGES

A case. Well, a serial cartoon had never appeared before, in the meantime. Zerocalcare signs, tells, double. Autobiography is dominant, but careful reflection on contemporary neuroses hits us all, making our consciences bounce off the mirror / screen in front of us. The controversy over the Roman dialect has triggered the race to view, of course, which also happens in Sanremo. Sorry to row against, but all ‘is zerocalcaremania I do not agree. Beaches.

Su Netflix

THE FERRAGNEZ

The cult family of this Italy in love with being someone who alas is not, is perfect for the operation “let’s open the doors of the ephemeral”. Aware that Ferragni and Fedez have built an empire with their heads and legs, and that’s it, what emerges from the made in Italy production is instead the chaotic and always luxurious day of a VIP couple who goes to the psychotherapist, we don’t know why. , given the striking result of two top existences. And we get lost in her signatures and in his grumbles. Boh.

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His Prime Amazon

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