Home » Cesare Bocci: “I’m Mimì Augello. But only on the set. And with Montalbano spaghetti for breakfast”

Cesare Bocci: “I’m Mimì Augello. But only on the set. And with Montalbano spaghetti for breakfast”

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Cesare Bocci is the Mimì Augello of Montalbano, he is the winner of Dancing with the stars, he is our Virgil traveling in the great beauty on Canale 5. Now he is in the Czech Republic to shoot a film on the Theresienstadt concentration camp. What was your family group like in an interior? “I was born in Camporotondo di Fiastrone, in the Marche region. The town had 400 inhabitants, but I had the most beautiful childhood imaginable. We used to go free all day, go fishing in the river, fry the shrimp we caught on the shore … We lived on the upper floor of the small primary school, in an apartment that was given to the teacher in charge, that is my mother. My brothers and I slept in the school library: at night it was our room, during the day it was the library “. How did acting come about? “I never, ever thought of becoming an actor. In Camerino, where I was studying, we organized a film club. One evening we screened Padre, owner of the Taviani brothers and a friend of mine from Tolentino invited Saverio Marconi, the protagonist. At that time Marconi held a acting school. My friend …

Cesare Bocci is the Mimì Augello of Montalbano, is the winner of dancing with the Stars, is our Virgil in Journey into great beauty on Canale 5. Now he is in the Czech Republic to shoot a film about the Theresienstadt concentration camp.

What was your family group like in an interior?

“I was born in Camporotondo di Fiastrone, in the Marche region. The town had 400 inhabitants, but I had the most beautiful childhood imaginable. We used to go free all day, go fishing in the river, fry the shrimp we caught on the shore … We lived on the upper floor of the small primary school, in an apartment that was given to the teacher in charge, that is my mother. My brothers and I slept in the school library: at night it was our room, during the day it was the library “.

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How did acting come about?

“I never, ever thought of becoming an actor. In Camerino, where I was studying, we organized a film club. One evening we screened Padre, owner of the Taviani brothers and a friend of mine from Tolentino invited Saverio Marconi, the protagonist. At that time Marconi held a acting school. My friend insisted that I enroll. With Marconi in 82 we founded the Compagnia della Rancia, the first to bring the musical to Italy. I drew the billboards with spray cans, every night I came home with green hair , yellow or orange “.

Let’s take a leap of several years. How did you get to Montalbano?

“At that time I saw my wife reading a book and laughing. When she finished it she passed it to me. After a few pages I said to her: ‘I don’t understand anything.’ But she encouraged me to continue. She was one of the first Montalbano. one night and I thought, “It would be perfect for a fiction.” The next morning my agent called me, told me they were looking for me to audition in a detective. What kind of detective? I asked. Montalban, she replied. he reported to the Spanish writer Manuel Vazquez Montalban, but it seemed unsuited to Italy. “Are you sure? Isn’t that Montalbano?” That was it. An extraordinary coincidence. “

His character is an unrepentant womanizer …

“He is a professional of seduction, he is sick. If I were like him I would be out of the house after three seconds”.

Can you tell me a funny anecdote on the set?

“We always shot very early, we were on the set at 8. That day we had to shoot a scene in the restaurant. Before the take we say to the director, Alberto Sironi: ‘Look, we are pretending to eat, it’s 9 in the morning!’ But Sironi raises his voice: ‘you really have to eat!’ In short, two plates of spaghetti with clams arrive. Luca and I give a forkful, but small little, just for the scene. Usually on stage the food is always bad, this time instead we try the spaghetti and they were excellent. So we devour the whole dish and , since we have to repeat the scene, we order a second “.

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Another memory?

“When Marcello Pennacchio, who was playing the coroner Pasquano, died, Sironi wanted to pay homage to him. So he wrote a scene himself. We are in the inspector’s room, the door opens, and Sironi himself enters as a waiter with a great tray of cannoli, Pasquano’s favorite food. We all eat them and make a toast in his honor “.

How was your relationship with Camilleri?

“We didn’t see him often. But every now and then we happened to meet him at lunch, or on the set. When you asked him a question, he didn’t answer right away. He let a few seconds pass and then he began to tell in such an engaging way, with such perfect timing. … Maybe we actors had our times “.

Did you initially expect such success?

“Not at all. And we didn’t know how long it could last. A few years ago I found myself at a dinner organized by Rai with the heads of the foreign TV stations who had bought Montalbano. At my table there were representatives of Japanese TV, the BBC, the ‘America, from Australia, but what amazed me the most is that there was also a Vietnamese TV manager “.

She is also the host of Journey into great beauty

“I discovered wonderful things and curious anecdotes. For example, the Guggenheim museum in Venice has only one floor because in front of it was the villa of an important family who tried in every way to prevent it from being built”.

Let’s change subject. The dance with his wife a dancing with the Stars moved everyone …

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“I did not know anything about our story. Daniela and I had written a book about our story to let people know that beyond the disease one can continue to live (in 2000 Daniela Spada was hit by a stroke. She remained in a coma for twenty days, then slowly began healing, against the pessimism of the doctors themselves, ed). In the broadcast they insisted that I somehow talk about it, but I always refused. At that time I was in Sicily just for Montalbano and my agent called my wife because to Dancing they wanted an acquaintance of mine to intervene. He asked if my sister was available, but she said no. My daughter? My daughter also refused. ‘A friend?’ At that point my wife rebels: ‘Then I’ll go’. When they take off my blindfold on the broadcast and I see it in front of me, the blood goes to my head. But then I see that she is serene and then I calm down. All around us colleagues were crying “.

What did you say to each other afterwards?

“Her decision was in the wake of the book we had written, the meaning of which was that you can survive the disease. She told me that she understood that she needed to do it, that number.” It’s been almost twenty years since I don’t dance, do I miss this opportunity? “.

You, Bocci, have you always danced?

“Never. With me, my teacher worked a miracle.”

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