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Álcala Norte, interview in Mondo Sonoro (2024)

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Álcala Norte, interview in Mondo Sonoro (2024)

The Madrid sextet Alcala North breaks out with an eponymous album launched by the Basque label Balaunka, during which they pour nearly gothic darkness, rock vitality and pop melodies, with uncommon historic and mental references.

The appointment is on the label’s new Madrid workplace. Álvaro Rivas awaits me there, vocalist and creator of lyrics during which he dares to summon the spirit of the German author Ernst Jünger and his brother, or narrate the ordeal of Jesus (“The King of the Jews”) from a tune by his colleagues La Paloma. The Basque label Balaunka opted for them after listening to some demos during which they noticed their potential.

“They instructed us we have been too intense”

We arrive on the at all times magical second during which the long-awaited vinyl materializes. Rivas is a whirlwind of concepts as he opinions a path with as many obstacles as strokes of luck, which culminates with this work. The band has suffered a few critical crises, with delicate line-up adjustments and varied collapses. 2020 mockups like “Arteligencia Intificial” started to indicate the probabilities of the band, whose debut album started to take form within the fall of 2022. In the center of the interview we’re joined by Carlos Elías Caballero, the technician answerable for the sound at his La Cafetera studio, and whose drive and enthusiasm has been key to have come this far. “We have been in shit”Rivas admits. And then they began recording their debut. Rivas, Juampi and Barbosa, colleagues from adolescence and the exhausting core of the group, wished to call their group Ciudad Lineal, “claiming” its well-liked neighborhood. The drawback is {that a} group from Barcelona (and likewise post-punk) had overwhelmed them to it. Solution? A colleague who helps them with the visible half instructed Alcalá Norte, which does not sound unhealthy both. In reality, his Soundcloud and Bandcamp are illustrated with a form of “monolith” graphic whose authentic is in entrance of the Ciudad Lineal buying heart… It additionally seems in a element of the motley Bacchic illustration on the quilt. “We have used it from the start, we had it prepared”Explain. “But Markusiano [Marcos Crespo, Depresión Sonora] It’s a Vallecas deck, I do not assume we regarded for this to say one thing new, however as a result of it appeared very pure to us, simply because it appears pure to speak about issues from our childhood understanding that they could possibly be extra difficult. “It is what it’s, it’s what we dream of.” That being mentioned, there aren’t many teams on the market that reference diaries or memoir “Steel Storms” by Ernst Jünger, during which the German author tells in a very vivid manner his experiences of a film-like life. They do it in ”Langemarck”, though Jünger evokes extra of the album’s lyrics. “I learn his diaries to get my metaphors, however I received the shock when studying ‘The employee’. Maybe due to how I’m, withdrawn, an important issues that occur to me are studying somebody like Jünger”Rivas admits.

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It had all began in 2019, when Barbosa determined to depart his cowl group Guarrerías Preciados, and Rivas went to the premises to see what was occurring. “We received collectively 4 or 5 instances earlier than Covid broke out. The feeling was that we had one thing very stunning. During the pandemic we have been fascinated about issues. The first two songs we performed have been ‘Bloody pearls’ of Alaska, and ‘Boys Don’t Cry’ by The Cure. We have been already on that wavelength. As throughout that point we noticed Markusiano killing it, we mentioned: ‘This is ours.'”

“The solely factor that united us in the beginning have been Joy Division, Alaska and The Cure”

Rivas refers to that broad and considerably worn-out label that’s post-punk, whose sinister aspect (or gothic and chilly wave) has fascinated quite a few younger bands lately. “I can not offer you a whole reply as to why it occurs. [El trío bielorruso] Molchat Doma on TikTok and Depresion Sonora petalo clarify why the group has gone that manner. It did not take us lengthy to seek out musicians, as a result of everybody was desirous to do post-punk. In our case, Barbosa is heavy, and Juampi and I do take heed to a extra British vibe. The solely factor that united us in the beginning have been Joy Division, Alaska and The Cure. “We made post-punk out of necessity.”

However, songs like “The canyon life” o “Don’t cry, Dr G.” [alusión al doctor Goebbels] They take them to extra pop terrain. “At first, with the primary formation, it was troublesome for us, as a result of we had put within the commercial that we have been searching for musicians to do post-punk. They instructed us that this was not darkish or chilly. But after all, ‘Bloody Pearls’ and ‘Boys Don’t Cry’ aren’t like that both. How am I going to pigeonhole myself into one thing a child says to me? In any case, I’ll do it wherever I need with my colleagues. It occurred to me with ‘Don’t cry, Dr G’. They instructed me no, however it ended up popping out. There I put the melody, the lyrics and the concord, however the melodic particulars that make it brutal belong to the 2 children who have been most reluctant,” Rivas admits.

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It was this divergence that precipitated the departure of two members, admits the singer –“they instructed us that we have been too intense”–, though a type of who received off the ship ended up recording the songs that, regardless of the whole lot, he felt have been his. Now comes the time to current the album on stage as a result of this, it’s clear, has solely simply begun.

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