Between truth and fiction, Netflix and TV relaunch the myth of Princess Sissi

Sissi, the quintessence of the dream princess. For cinema, felix for Austria, for television, for streaming platforms. Fairytale monarchy, environments swollen with timeless kitsch, castles that look like wedding cakes, throbbing kisses of love, sweet rebellions against court life. An apparently timeless myth that thanks to the trilogy of films with Romy Schneider of the 1950s relentlessly revives every year on home televisions, to be cyclically fed by further films, by new series, by new interpreters.