Home » Harry greets Philip: “Hello impertinent grandfather”

Harry greets Philip: “Hello impertinent grandfather”

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“Thank you grandpa, for being yourself.” It took Harry, the favorite rebellious grandson of the Windsor house, to resonate a few different words in the chorus of tributes – moved, heartfelt, perhaps sincere, yet uniform – that the UK is singing. these days in memory of Philip of Edinburgh: 99-year-old prince consort of Queen Elizabeth, who passed away on Friday two months after the milestone of 100 candles after a life of absolute loyalty, often in the shadows, towards his wife and the crown, but also of gaffe , of caustic humor, of intolerance to the canons of political correctness, when not of good manners.

Having landed in the Kingdom during the night, returning from American self-exile for next Saturday’s funeral after the traumatic tear from the Royal Family in recent months, the second son of Charles and Diana – left Meghan pregnant in Los Angeles – took little to tear the scene to the elder brother William on the day dedicated to the gifts of the nephews in honor of Filippo, after the space reserved until yesterday by the protocol for the children. Closed in the residence of Frogmore Cottage, where he will undergo anti-Covid tests and will remain in solitary confinement until the funeral in compliance with the health regulations in force that allow him only a partial shortening of the quarantine for “compassionate” reasons, the red-haired prince has entrusted his sentiments to the least ritual of all the messages given birth by the dynasty so far. “He was my grandfather: barbecue master, legendary battutist and sassy right to the end,” he wrote, thanking “grandpa” Philip for “granny dedication”, assured as “a rock” for 73 years, for his sense. “of duty and honor”, but also and above all for his “strong” – some would say rough – “sense of humor”: for having been “himself” to the last breath.

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A vindication of the value of individuality, beyond the institution, which other family members – starting with the heir to the throne Charles, also called today to take on the role of the official herald of commemorations – have limited themselves to grazing. And which almost seems to want to underline the other side of the coin of the legacy of the deceased, alongside the more institutional one inevitably evoked by William, the future king: everything centered – under the still tender photo taken by Kate in 2015 of Filippo at the reins of a gig with little great-grandson George at his side – on the praise of the “service” rendered by the Duke of Edinburgh to the queen, to the country, to the armed forces, on his image as a WWII veteran, on his being the symbol of “a generation” fighter: in the name of a commitment that the Duke of Cambridge, waiting for the scepter, promises to carry out to protect the monarchy, “as he would have liked”.

Two aspects of a figure that even the parliamentary assemblies of the Kingdom – from those in Westminster to the local ones in Edinburgh, Cardiff or Belfast – did not fail to echo in the extraordinary sessions of homage to Her Majesty’s consort, shared today beyond political colors from exponents of all parties, conservatives or labor, separatists or unionists. In a climate in which the tone bordering on the cult of the personality towards the man to which the speaker of the House of Commons, Lyndsay Hoyle, an old Labor socialist militant, did not hesitate to even recognize the high-sounding title of “father of the nation” , has found a brake only in a few scraps of British ‘sense of humor’. And where it was Boris Johnson who donned Harry’s shoes: with his references “above all else” to Philip’s “practical spirit”, his contribution to the adaptation of the monarchy “to the 20th and 21st centuries” . But even his verbal slips (no different from the recurring ones of Prime Minister Tory himself) go “occasionally beyond the fences of the finest diplomatic protocol”, in BoJo’s turn of phrase. To whom it did not seem true to challenge the embarrassments of the Chamber to recall, among the eccentric jokes of “His Royal Highness the Duke”, also the doubt about having coined a crude neologism to make fun of certain behaviors that were too self-referential in his eyes : “dontopedalogy, that is the art of putting a foot in the mouth”.

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