Home » lady in pink, crítica de I’M DOING IT AGAIN BABY! (2024)

lady in pink, crítica de I’M DOING IT AGAIN BABY! (2024)

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lady in pink, crítica de I’M DOING IT AGAIN BABY! (2024)

We do not must put our foot too far into Norwegian Marie Ulven’s second LP to appreciate the momentum she has needed to acquire to make her official comeback after the unanimous success of her debut. Thus, and thru themes that solely attempt to reaffirm a renewed confidence in herself within the face of the instant problem of revalidating her title, lady in pink He cries to the 4 winds that he returns to the ointment with “I’M DOING IT AGAIN BABY!” (24). Thus, in capital letters and hand in hand with a grandiloquent maximalism with which it goals to regain our validation and desperately revive its barely salvageable new tracks.

With exuberant triumphalism and figuring out that she is obtained with open arms, the pure singer-songwriter from Horten opens the album with out a lot room for misunderstanding or double readings: “I’m again, I really feel like myself / I used to be gone for a minute ‘trigger I went to get assist”sing in “I’m Back”, connecting instantly with the previous ravages after having gone via despair and lack of voice in recent times that pushed him to briefly abandon the stage. A situational theme with which narratively the Norwegian gives us fact and pores and skin, however which sadly finally ends up dragging us in direction of probably the most generic and insipid facet of mass pop (straddling between a Disney music and the Swiftie exploitation style), undoubtedly very distant of what we’re searching for in its sound.

Along with the theme that partially provides its title to the album, “DOING IT AGAIN BABY”Ulven relieves us of the dangerous preliminary drink and brings a scrumptious dose of agitation and lightheartedness to the formulation, creating a strong refrain within the type of dosmilero indie that may keep in our heads immediately (“I’m on a brand new stage, one thing’s acquired me feelin’ like I might be inflammable”). Unfortunately, these moments of lucidity and enjoyable on the album (some extra it provides us, just like the sober pop-punk of “Too Much” or the well-played collaboration with Sabrina Carpenter in “You Need Me Now?”) will not be ample components to boost a complete that futilely manages to seize our consideration, regardless of its temporary period.

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Clearly, the brand new album lady in pink It represents a transparent slowdown within the projection of his profession and empirical proof of the dangers {that a} second hand with out good playing cards at all times entails. On the one hand, Ulven overcomes the languid, post-adolescent tragedy of “if i might make it go quiet” (21), however then again, it fails to totally persuade us with the stylistic and compositional instructions that it now proposes in its new roadmap. A transitional work and a brief detour that may solely imply, we’re certain, the gateway to future concepts that may do it higher justice.

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