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Review of “Easy Eighth Album”, the new work by Kaiser Chiefs

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Review of “Easy Eighth Album”, the new work by Kaiser Chiefs

There are bands whose moment has been associated with a very specific era, and each attempt to regain validity and that space lost over the years seems to turn against the group in question, little less than certifying their creative demise with the opposite effect to that intended. . Kaiser Chiefs They fell on their feet when they appeared on the scene back in 2005, protected by their functional (and easily digestible) premiere “Employment” (05), full of hooligan posturing anthems with a friendly and folksy background. A baggage with which, without giving too much thought to the matter, it was not difficult to communicate, especially under the protection of the festival or pub on duty and beer in hand.

Time has passed for everyone and, since then, the short-lived relevance of Leeds has been evident more than once. Therefore, it is even surprising that “Easy Eighth Album” It is, in fact, the eighth studio album of the combo. Above all, because, throughout ten new songs, the group seems determined to encourage a youthful spirit that is definitely far away from them. A boldness that points, with a tendency towards overproduction and less prejudice than ever, towards the dance floor, giving the spotlight to an indie-pop bathed in synthesizers that can be granted the gift of immediacy. A trick that, in practice, seems forced and even somewhat out of place, although it is difficult not to shake your head to the rhythm of a handful of songs that are as catchy as they are easy, such as “How 2 Dance”, “Beautiful Girl”, “Burning In Flames”, “Reason To Stay Alive” (the best of the lot with echoes of Goldfrapp) o “Jealousy”.

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“Easy Eighth Album” It is a discreet album, full of clichés smothered over and over again in albums of identical characteristics, which serves to spend some time entertaining with your head elsewhere, but which you are too lazy to return to knowing that at no time will there be much more than what was assimilated at a first glance. Kaiser Chiefs seem, in effect, anchored to a past life and without much to contribute in the middle of 2024, in an endemic evil that they share with compatriots such as The Kooks, The Pigeon Detectives o The Fratellis. Only reasonable doubt can be granted about whether the project will continue to function as a celebration, completely hedonistic and carefree, under the protection and heat of the live show.

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