Home » Xavi Sarrià, breaking newest information of his live performance on the Palau de les Arts (2024)

Xavi Sarrià, breaking newest information of his live performance on the Palau de les Arts (2024)

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Xavi Sarrià, breaking newest information of his live performance on the Palau de les Arts (2024)

“Valencia is a moon besieged by scorpions” (“Valencia is a moon besieged by scorpions”). That’s what the music “La nit ferida” (“The wounded night time”) says, chosen by Xavi Sarrià to open his final live performance within the capital of Turia for an indefinite interval. On this event, the theme emerged from the seating space of ​​the Auditorio de Les Arts because of the vigorous voice of Rafel Arnal (former member of Carriagewriter of a notable album titled “Pam a pam” (“Span by span”) and member of Aljub and Krama, amongst different issues).

With that phrase, who was the voice of the group Obrint Pas describes the hostility of the town the place he has lived for a few years. A threatening ambiance that was felt within the 90s, when Xavi Sarrià started to write down songs, and likewise now, when a councilor publishes racist and xenophobic tweets with out (nearly) something occurring. Thus, enjoying in Valencia, in an area like Les Arts (an emblem of the waste of a bygone time) and with all of the tickets bought months in the past, was an necessary milestone. Furthermore, the technicians handed the take a look at of reaching good sound in an uncomfortable setting for amplified music.

If all this weren’t sufficient, the live performance had one other element that, a priori, added extra emotion: the short-term withdrawal of the good protagonist of the night time. Indeed, it was in December 2023 when Xavi Sarrià revealed “a brief break to realize energy” on the finish of this yr. But goodbye couldn’t be restricted to a chilly message on networks. For this cause, for months now, on December 14 with, as soon as once more, all of the seats bought out.

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As it was, nearly 1,500 folks got here to the Palace to get pleasure from a present ready for months. And it was a really various viewers: folks over fifty who adopted Obrint Pas; younger individuals who have solely seen Xavi Sarrià together with his solo mission; and kids who sang and danced like essentially the most die-hard followers. Even, and as a curiosity, the kid of some weeks within the again row endured the virtually two hours of the live performance with none gesture of disapproval. And that has lots of benefit.

It can also be price highlighting, though it is among the options that outline the artist’s profession, the dedication proven to fashionable struggles. Firstly, with the folks of Palestine, victims of genocide by the hands of the Israeli authorities and military. Later, with the reminiscence of those that fought in opposition to fascism, with the music “I si demà no tornara” (“And if tomorrow I did not come again”) and the interventions of María Navarro, president of the Association of Relatives of Victims of Francoism from Grave 126 of Paterna, and Elena Solanas, niece of Florencio Pla, the “Shepherd”. Mireia Vidal appeared to the rhythm of “La vida sense tu” (“Life with out you”), who skilled firsthand the expropriations of Punta. Finally, Betlem Agulló remembered his brother Guillem, murdered by a neo-Nazi in April 1993.

In the musical side, attendees had been in a position to sing Obrint Pas songs similar to “El gran circ dels invisibles” (“The nice circus of the invisibles”), “En el País de l’olivera” (“In the nation of the olive tree”) with the imposing Colla of dulzainas and percussion Portitxol from Xàbia or “No tingues por” (“Don’t be afraid”), in addition to songs taken from the albums and singles that Xavi Sarrià has printed underneath his title similar to “Amb l’esperança entre les dents” (“With hope between our enamel”), “Alliberar-nos” (“Free ourselves”) or “Causa”, throughout which the performer walked down the steps of Les Arts, microphone in hand, nearly to the final row.

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Stylistically, and after introducing dulzaina into rock within the 90s, the musician has completely delved into rhythms and tales with conventional roots. This explains the incorporation of the charming “Vetlatori” (“Velatory”) carried out by Noelia Llorens “Titana”; the sensitivity of the composition “Balansiya”, with “Titana” herself, Rafel Arnal and Xiomara Abello on stage; and the presence of Pep Gimeno “Sausage” in “No s’apaguen les estreles” (“The stars don’t exit”) and a “Malaguenya de Barxeta” sung a cappella with the viewers. In addition, tribute was paid to Vicent Torrent (Al Tall), a person who put his voice and physique within the 70s and who despatched a message of optimism regardless of the circumstances we skilled.

Another ingredient to focus on is the better prominence that private experiences are buying in Xavi Sarrià’s compositions. “I began writing songs after I was 14 to flee from a burning home.” That is, music as refuge, balm and medication. This is clear in songs like “Autodefensa”, staged in Les Arts with beams of vertical purple lights as in the event that they had been the bars of a cell, and, particularly, with “Música,rabia i amor”, a composition that confirms the writer as considered one of our greatest lyricists and with which the live performance closed earlier than the standard encores.

Finally, along with the appearances already talked about by Betlem Agulló and “Botifarra”, a trio of aces from the instances of Obrint Pas: “La flama” (“The flame”), “Som” (“We are”) and “ Si tank els ulls” (“If I shut my eyes”). And whereas the viewers chanted the refrain of the final music to the beat of the piano, Xavi Sarrià took the chance to say goodbye to every of the band members earlier than they headed down the central aisle of Les Arts: Victoria Sanchis (voice and guitar); Hèctor Peropadre (accordion, lute and dulzaina); Luis Suller (drums); Diego Barberà (bass); Jota Terranegra (guitar); and Dani Tomàs (keyboards).

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Immediately afterwards it was the singer who adopted the identical path. During his journey he greeted the viewers and hugged pals and colleagues (Miquel Ramos, Xavier Ginés, David Segarra, Guillem Agulló’s household, Vicent Torrent). And the viewers left with the sensation of getting skilled a particular night time, a kind of which might be remembered, certainly, with their eyes closed. We are left questioning once we will open them once more to see Xavi Sarrià, once more, on stage within the metropolis of Valencia.

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