Home » Cannes Festival: from “Diamant brut” to “Furiosa”, feminine portraits on the Croisette

Cannes Festival: from “Diamant brut” to “Furiosa”, feminine portraits on the Croisette

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Cannes Festival: from “Diamant brut” to “Furiosa”, feminine portraits on the Croisette

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A directorial debut opens the competitors on the Cannes Film Festival: after the inauguration with “The Second Act” by Quentin Dupieux, entered out of competitors, the primary function movies competing for the Palme d’Or had been introduced.
Among these, “Diamant brut”, the primary work by Agathe Riedinger, a French director who developed this mission taking as a foundation her 2018 quick movie, “J’attends Jupiter”.
From that 23-minute movie, Riedinger maintains the narrative construction, which facilities on Liane, a 19-year-old lady who lives together with her mom and youthful sister. Obsessed with the concept of ​​changing into well-known because of her bodily look and her followers on social networks, Liane has nice hope of with the ability to change her life when she known as to audition for a profitable actuality present.

Filmed in a number of sequences with a handheld video digicam, in order to make the troubles of the younger protagonist really feel much more carefully, “Diamant brut” is a movie about adolescence that’s related to many reflections on at present’s world and on the necessity for a lot of younger individuals of getting to be flashy in any respect prices, to be seen and really feel alive in a world more and more dominated by digital logic. With the suitable emotional transport, Riedinger’s path strongly empathizes with the primary character, with out nonetheless forgetting to supply fascinating factors additionally on the supporting figures (the solid additionally contains Alexis Manenti, who grew to become well-known with “Les Misérables” by Ladj Ly).

Angry

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A movie that feels an excessive amount of prefer it’s already been seen

The foremost benefit of this primary work is the flexibility to contain, thanks additionally to a discreet modifying tempo, however on the similar time there are very evident limitations in a screenplay that is aware of an excessive amount of about what has already been seen and in coping with concepts that others have dealt with with better care and depth lately: simply assume, on the subject of influencers, of the luxurious “Do Not Expect Too Much From the End of the World” by Radu Jude, seen in competitors on the 2023 Locarno Film Festival. Even the fashion, though efficient in a number of passages, recollects many different movies which have instructed related instructional paths to that of the protagonist. Since this can be a debut, we will nonetheless discover a great maturity on the a part of the French director, however the presence of her first work in competitors at Cannes was a beneficiant option to say the least.

The lady with the Needle

The Girl With the Needle e Furiosa

Another movie characterised by ups and downs equivalent to “The Girl With the Needle” by Magnus van Horn, a Swedish director who has made his third function movie, additionally discovered house within the competitors. Set in Copenhagen after the First World War, its protagonist is Karoline, a younger pregnant employee struggling to outlive in a local weather of utmost poverty. Great assist may come from Dagmar, a really charismatic lady who runs a secret group to take care of the kids of moms who’re unable to maintain them with them. Taking inspiration from a terrifying information story, “The Girl With the Needle” it’s a movie enhanced by a wonderful black and white, elegant and able to conveying the acute brutality of the story instructed. At the identical time, nonetheless, there are a number of considerably intelligent forcings, which find yourself making this mission excessively pretentious, albeit gifted of quite a few recommendations and able to holding consideration till the top. Finally, it needs to be famous that “Furiosa – A Mad Max Saga” by George Miller, prequel to “Mad Max: Fury Road” (2015) was introduced out of competitors and new chapter of the saga that started in 1979 with “Interceptor”. Although many concepts are utterly derived from the earlier movie, the adrenaline rush may be very excessive and indisputably you have got quite a lot of enjoyable: within the nearly two hours and thirty minutes of length the tempo is frenetic and , albeit with some prolixity, the present is assured and the numerous followers of the franchise will definitely not be disillusioned. We’ll speak about it once more: the movie can be launched in Italy on May twenty third.

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