Create a masterpiece of the new era: Integrating movie textures into TV dramas has become a trend
Yang Hongtao
Recently, a wave of TV dramas and online series such as “The Long Season”, “Flowers”, “North and South”, and “Storm Chaser” have captivated audiences with their cinematic quality. Viewers have marveled at the attention to detail in these series, often likening them to high-quality movies in terms of their artistic value.
The cinematic quality of a drama is evident in its audio-visual language and narrative techniques, which create an aesthetic style comparable to that of excellent films. This texture is showcased through exquisite composition, layered light and shadow, polished soundtrack and sound effects, as well as intricate storytelling and development of characters. This attention to detail elevates the overall narrative of the series to a cinematic level, immersing viewers in a world that is both visually captivating and emotionally rich.
One of the key elements that contribute to the cinematic quality of these series is their meaningful visual language. Skillful camera movements, precise scene scheduling, unique composition, and rich depth of field all work together to create a visually stunning experience for viewers. In “Flowers”, for example, the use of light sources and colors enhances the characters and settings, while clever use of close-ups and angles delve deep into the emotional nuances of the story.
Another essential component of these series is their effective use of auditory language. Lines, music, and sound play a crucial role in conveying emotions and themes in these dramas. Lines in “Flowers” and “The Long Season” are poignant and thought-provoking, while the music in “Storm Chaser” adds depth and emotion to key moments in the plot.
Furthermore, the concise and exquisite narrative structure of these series sets them apart from traditional TV dramas. By incorporating elements of film aesthetics, such as long shots and thematic development, these series are able to deliver complex storylines in a compact and engaging manner.
In conclusion, the success of these series lies in their meticulous attention to detail and high-quality production values. By merging elements of movie-making into TV storytelling, these dramas have set a new standard for excellence in the industry. As viewers continue to praise their cinematic quality, it is clear that these series are truly a masterpiece of the new era.
(The author, Yang Hongtao, is a professor and doctoral supervisor at the Communication University of China, and an advisor to the Audiovisual Program Communication Committee of the China Television Association)