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Married cinema closes the Cannes Film Festival: whereas ready for the awards ceremony (among the many favorites are “Emilia Perez” by Jacques Audiard and “Anora” by Sean Baker), among the many final movies introduced in competitors there’s additionally “The Seed extremely anticipated.” of the Holy Fig” by Mohammad Rasoulof.
Having fled Iran following an eight-year sentence for “collaborating with the safety of the nation”, Rasoulof is among the most vital names within the movie’s rising base, the place there are numerous artists who combat towards the regime and use cinema as a weapon. in all respects: essentially the most spectacular case of the good Jafar Panahi, however there are numerous names pressured to make movies in secret, even able to danger their freedom.
Fresh from the Golden Bear received on the Berlin Film Festival in 2020 with “Evil Does Not Exist”, Rasoulof got here to Cannes – this alone is nice information – to current his new movie that sees Iman on the middle, an odd authorities official whereas . Political unrest is intensifying in Tehran. When his gun goes lacking, he blames his spouse and daughters, taking drastic measures that can put household ties to the take a look at.
“Seeds of the Holy Image” is a merciless and brutal movie, a disturbing drama that reaches its climax when Iman creates a type of dwelling jail to maintain his spouse and daughters.
And utilizing a variety of cellphone footage, Rasoulof thinks in regards to the Iranian information system, what tv means and the stark distinction with what residents get earlier than their eyes.