“Taoyuan Three Knots”, “Three Gus Thatched Cottages”, “Zhuge Liang’s Tears and Killing Horses”… These allusions related to the Three Kingdoms always remind people of the heroes and heroes who emerged during this period, and open up the imagination of this special history. . In this torrent of history, it may not only be the big figures who shine. From April 27th, the costume spy drama “Feng Qi Longxi”, based on Ma Boyong’s novel of the same name, produced by CCTV, Xinli TV, iQiyi, Forest Pictures, Free Cool Whale, and Huace Pictures, will be broadcast on CCTV- The 8 golden files were launched and launched simultaneously on iQIYI, leading people into the situation of the Three Kingdoms. The play revolves around the ups and downs of Chen Gong and Xun Xu, the “little people” on the secret intelligence line during the Three Kingdoms period. It tells about their brotherhood of life and death, and writes a heroic legend, which attracts the attention of many audiences.
In recent years, many well-received modern and modern spy war dramas have emerged in the film and television market, but the drama form of “ancient costume + spy war” is rare. “Feng Qi Longxi” follows the creative principle of “historical possibility novels”, rationally imagines within the framework of history, and opens the story of the Three Kingdoms with a new perspective of spy warfare. The play takes the fall of Jieting and the defeat of the Northern Expedition as the historical background, and integrates intelligence leakage incidents. It tells the story of Shuhan “Si Wencao” intelligence officers Chen Gong and Xun Xu together to unravel the truth of the Jieting intelligence case, and find out that the Wei spy codenamed “Candle” Dragon’s undercover identity and stories such as the conspiracy to uncover Cao Wei’s “Qingping Plan” show the fierce wrestling between the two espionage agencies of Shu Han, “Si Wen Cao” and Cao Wei’s “Jian Jun Si”. Compared with the protagonist’s life in some spy war dramas, the protagonists of this drama can be described as twists and turns and thrilling in the process of fighting wits and courage with their opponents: because of the vigilance of the opponents, Chen Gong almost revealed his identity many times. ; Xun Xu also repeatedly fell into danger and almost lost his life. In addition to the intense plot, the play will also be interspersed with relatively interesting and relaxed content from time to time, making the series more tense.
Different from the previous stories about heroes and famous generals of the Three Kingdoms, the play starts from small characters, and by telling the stories of their struggles and sacrifices in the turbulent and turbulent times, it interprets the “big men born in troubled times, across the world, where righteousness lies, regardless of life and death”. ideal beliefs. In the face of being suspected by “Si Wencao”, Chen Gong never violated his original intention, and took the initiative to choose to go deep into the dangerous situation to find the truth; in the face of the injustice of his friends and the struggle of the upper class, Xun Xu always put justice in his heart, not Ken succumbed to coercion and rules. What they follow is actually the will of Zhuge Liang, hoping that the world will be peaceful and ordinary people can live a good life. Chen Gong’s character and wisdom, Xun Xu’s morality and perseverance, as well as their sympathetic friendship, not only show the diverse life states of historical figures and the sense of justice that has existed in the blood of Chinese sons and daughters throughout the ages, extracting the essence of excellent traditional culture. The spiritual logo also prompts the audience to form a high-spirited life attitude and value orientation in the hearts of the audience, conveying strong spiritual power.
At present, high-quality creation has become the general trend of the film and television industry. For the theme of ancient costumes, “Fuhua Dao” has always been one of the important factors for audiences to evaluate the level of dramas. In order to create a better visual experience, “Feng Qi Longxi” is based on history and ingenuity, allowing more audiences to perceive the beauty of traditional culture and national style, renewing the new atmosphere of Chinese drama creation, and bringing more to the Chinese drama market. The new direction of ascension. Since the characters in the play are not from the court or nobles, they are just ordinary characters engaged in espionage work. Therefore, in the choice of clothing fabrics, the creative team mainly chooses clothing made of cotton and linen, and mostly black, white and gray with low saturation. Mainly color. In terms of styling, the creative team designed a beard shape for male characters that fits the personality, which not only highly restores the trend of men pursuing “beautiful beards” during the Three Kingdoms period, but also highlights the shaping of the character’s character.
In terms of setting the scenery, the land of Shu is humid and the vegetation is lush, and the land of Wei is dry and the yellow sand is flying, creating a climate difference between Shuhan and Caowei, which is very immersive. Since most of the interior scenes are accompanied by a lot of competing interests and complex entangled feelings, the play mostly uses natural light sources to restore and embellish the ancient scenes, thus playing a role in setting off the plot. In addition, the ingenuity of the play has also been implemented in the depiction and restoration of the details of life. The tea-making and tea-drinking scenes that appear many times in the play show the unique cultural atmosphere of the late Han Dynasty from another perspective.
With the story of the Three Kingdoms as the background, and on the basis of the concept of respecting historical facts and a rigorous and realistic creative attitude to examine history, “The Wind and the Long Qi” tells a gripping story of ancient spy wars through reasonable imagination, creating a full and real sensibility. It also permeates the simple and simple aesthetic temperament into all aspects, bringing the baptism and influence of excellent traditional culture to the audience, thereby awakening the more basic, deeper and more lasting power of cultural self-confidence.
(Zhang Wen)
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责编：杨帆 ]