Source title: The wonderful repertoire of the new stage of “The City of Philharmonic” continues to perform Fang Shujian to liberate the nature of animal characters
Entering the new stage of 1vs1 with the same play and the same role, the performances presented by Dragon TV’s first full-industry-chain musical cultural promotion program “The City of Philharmonic” have become more and more exciting. In the program aired at 20:30 on Saturday (May 21), excerpts from the original musicals “Steel Piano” and “Disqualification in the World” appeared one after another, and “Shrek” and other plays also brought refreshing and fresh to the stage. feel.
What impresses the “Philharmonic Support Group” and the audience is that in order to restore the characters to the greatest extent, the actors are fully committed and have the courage to challenge difficult performances. Some of them braved the cold to try underwater performances, some “learned to perform” with real animals, and many actors staged confrontations with completely different performance styles. The wonderful scenes are unforgettable.
Fang Shujian, Cao Muzhi worships “Donkey” as his teacher
Li Weiling and Liu Yixuan “bloom” in the water
How much effort does an actor have to put in to interpret a character well? In this episode of the program, the audience will see the scenes where the actors are fully devoted to their roles, witnessing their ingenuity in pursuing “both form and spirit”.
As classmates of the Shanghai Conservatory of Music, Li Weiling and Liu Yixuan teamed up to bring a sad and moving but reflective and questioning “Sin of Innocence” (from “Disqualification in the World“). “Disqualification in the World” is a dark horse production of an original Chinese musical in 2021, and it is also the first stage presentation of Dazai Osamu’s novel of the same name. In the presentation of “City of Philharmonic”, the director team specially adopted the method of underwater photography. When the temperature was only 4 degrees Celsius, the two actresses dipped their backs into the water again and again to perform.
Judging from the behind-the-scenes footage, although the program team has made full preparations, electric heaters, cotton robes, and ginger tea are all available, and the actors will immediately “warm up” every time they go out of the water, but at the moment they enter the water, they still have to use Great willpower to overcome the tension caused by underwater performances, and sometimes even uncontrollably tremble. And this dedication and dedication finally turned into a shocking scene on the stage, which not only made the other actors cry, but also made Liao Changyong, the dean of the Shanghai Conservatory of Music, sigh with emotion, “I am proud of you, It was the only performance that made me cry.”
When they brought together “Don’t Let Me Go” (from “Shrek”), Fang Shujian and Cao Muzhi tried to restore the lively and naughty state of a “donkey”. To this end, the two went to the farm to “learn scriptures” from the donkeys living there: Fang Shujian started the “simulation” while observing the state of the donkey chewing the grass, while Cao Muzhi simply lay on the ground and learned how the donkey “waving its hooves” attitude. The two were delighted and seriously pondering, which made Zhang Yuqi laugh, and repeatedly praised “so cute” and “didn’t recognize one”. Da Zhangwei even praised the two for integrating into the roles and leading the audience to “forget about themselves”.
Is it difficult to grasp a role with a large contrast?
Liao Changyong recalls the performance of “playing old” at the age of 20
What should you do if you get a character whose personality and age are quite different from your own? In this issue of “The City of Philharmonic”, many actors chose to challenge themselves and try to interpret very different images.
“Etudes” is selected from the original Chinese musical “Piano of Steel”, which tells the story of Chen Guilin, a laid-off worker, making a piano for his daughter. However, Zhang Weilun and Huang Guansong who play Chen Guilin, one is a young man who “plays old” all the year round, and the other is a “novice dad” who happens to be about to welcome his daughter. Their moods and interpretation methods are very different. Who will perform better? Outperform?
Hearing Zhang Weilun’s wry smile admitting the age gap with the characters, Liao Changyong resonated quite a bit. Since he was in his 20s, he has played the fathers of many actors older than himself on the stage. Once, Liao Changyong performed “La Traviata” in Taiwan, China, and the performance was a great success, but no one recognized him when he walked out of the theater, “Because I was too old on the stage, I was a baby face when I went out. But I think Being an actor is like this, you may not have experienced it yourself, but you can express it with your heart.”
When rehearsing the excerpt “Ding Dong” from “Rock Mozart”, Ding Zhenying and Shen Ni tried to use the body language of “marionette” to present the characters. But the two’s stage costumes are bulky and heavy, so how do they “dance”? The two visited the performance venue of the immersive drama “Sleepless Night”, a “punch-in place” preferred by many fans in Shanghai, and received on-site guidance from the choreography of “Sleepless Night” to find inspiration for performing dances.
At the same time, their spiritual dialogue with the characters has also brought new challenges: one is the character who has long demanded “perfection” like the people in the play, and the other is the free and loose nature that is easier to let go. This contrast will make How are their performances different? What kind of insight made Ding Zhenying cry and laugh at the scene?
In the same play, what kind of performance can make B corner successfully counterattack? What is the reason for the 1-on-1 actors to canvass tickets on the spot and compete with each other? In this week’s “City of Philharmonic”, you will witness the behind-the-scenes stories of the wonderful performances. Everything will be presented at 20:30 on May 21, and the official video broadcast platform Baishi TV will be presented simultaneously.
Entering the new stage of 1vs1 with the same play and the same role, the performances presented by Dragon TV’s first full-industry-chain musical cultural promotion program “The City of Philharmonic” have become more and more exciting. In the program aired at 20:30 on Saturday (May 21), excerpts from the original musicals “Steel Piano” and “Disqualification in the World” appeared one after another, and “Shrek” and other plays also brought refreshing and fresh to the stage. feel.
What impresses the “Philharmonic Support Group” and the audience is that in order to restore the characters to the greatest extent, the actors are fully committed and have the courage to challenge difficult performances. Some of them braved the cold to try underwater performances, some “learned to perform” with real animals, and many actors staged confrontations with completely different performance styles. The wonderful scenes are unforgettable.
Fang Shujian, Cao Muzhi worships “Donkey” as his teacher
Li Weiling and Liu Yixuan “bloom” in the water
How much effort does an actor have to put in to interpret a character well? In this episode of the program, the audience will see the scenes where the actors are fully devoted to their roles, witnessing their ingenuity in pursuing “both form and spirit”.
As classmates of the Shanghai Conservatory of Music, Li Weiling and Liu Yixuan teamed up to bring a sad and moving but reflective and questioning “Sin of Innocence” (from “Disqualification in the World“). “Disqualification in the World” is a dark horse production of an original Chinese musical in 2021, and it is also the first stage presentation of Dazai Osamu’s novel of the same name. In the presentation of “City of Philharmonic”, the director team specially adopted the method of underwater photography. When the temperature was only 4 degrees Celsius, the two actresses dipped their backs into the water again and again to perform.
Judging from the behind-the-scenes footage, although the program team has made full preparations, electric heaters, cotton robes, and ginger tea are all available, and the actors will immediately “warm up” every time they go out of the water, but at the moment they enter the water, they still have to use Great willpower to overcome the tension caused by underwater performances, and sometimes even uncontrollably tremble. And this dedication and dedication finally turned into a shocking scene on the stage, which not only made the other actors cry, but also made Liao Changyong, the dean of the Shanghai Conservatory of Music, sigh with emotion, “I am proud of you, It was the only performance that made me cry.”
When they brought together “Don’t Let Me Go” (from “Shrek”), Fang Shujian and Cao Muzhi tried to restore the lively and naughty state of a “donkey”. To this end, the two went to the farm to “learn scriptures” from the donkeys living there: Fang Shujian started the “simulation” while observing the state of the donkey chewing the grass, while Cao Muzhi simply lay on the ground and learned how the donkey “waving its hooves” attitude. The two were delighted and seriously pondering, which made Zhang Yuqi laugh, and repeatedly praised “so cute” and “didn’t recognize one”. Da Zhangwei even praised the two for integrating into the roles and leading the audience to “forget about themselves”.
Is it difficult to grasp a role with a large contrast?
Liao Changyong recalls the performance of “playing old” at the age of 20
What should you do if you get a character whose personality and age are quite different from your own? In this issue of “The City of Philharmonic”, many actors chose to challenge themselves and try to interpret very different images.
“Etudes” is selected from the original Chinese musical “Piano of Steel”, which tells the story of Chen Guilin, a laid-off worker, making a piano for his daughter. However, Zhang Weilun and Huang Guansong who play Chen Guilin, one is a young man who “plays old” all the year round, and the other is a “novice dad” who happens to be about to welcome his daughter. Their moods and interpretation methods are very different. Who will perform better? Outperform?
Hearing Zhang Weilun’s wry smile admitting the age gap with the characters, Liao Changyong resonated quite a bit. Since he was in his 20s, he has played the fathers of many actors older than himself on the stage. Once, Liao Changyong performed “La Traviata” in Taiwan, China, and the performance was a great success, but no one recognized him when he walked out of the theater, “Because I was too old on the stage, I was a baby face when I went out. But I think Being an actor is like this, you may not have experienced it yourself, but you can express it with your heart.”
When rehearsing the excerpt “Ding Dong” from “Rock Mozart”, Ding Zhenying and Shen Ni tried to use the body language of “marionette” to present the characters. But the two’s stage costumes are bulky and heavy, so how do they “dance”? The two visited the performance venue of the immersive drama “Sleepless Night”, a “punch-in place” preferred by many fans in Shanghai, and received on-site guidance from the choreography of “Sleepless Night” to find inspiration for performing dances.
At the same time, their spiritual dialogue with the characters has also brought new challenges: one is the character who has long demanded “perfection” like the people in the play, and the other is the free and loose nature that is easier to let go. This contrast will make How are their performances different? What kind of insight made Ding Zhenying cry and laugh at the scene?
In the same play, what kind of performance can make B corner successfully counterattack? What is the reason for the 1-on-1 actors to canvass tickets on the spot and compete with each other? In this week’s “City of Philharmonic”, you will witness the behind-the-scenes stories of the wonderful performances. Everything will be presented at 20:30 on May 21, and the official video broadcast platform Baishi TV will be presented simultaneously.