Vhäldemar They are a band that wants no introduction to nationwide Heavy Metal followers. Their greater than 20 years of unwavering work is proof sufficient that anybody on this planet has heard of them time and time once more. The story of the battle and dedication that many Spanish teams haven’t been capable of imitate, since, to achieve the completely happy chapters of the story, on this nation at the very least, you need to spend a few years sowing within the shadows.
After introducing the earlier one “Straight to Hell”, and after spending nearly three years touring nearly all elements of the peninsula, even taking part in in Japan, these from Barakaldo publish a brand new pattern of what they do greatest. Fast and livid Power Metal, with out shock, confirms them because the mainstays of the style.
Opening with a gallop on “Devil’s Child”, Vhäldemar They merely reveal with the primary hand, which playing cards they intend to attract the listener with. A measured beat, a strong refrain which may have been the perfect Gamma Ray had ever signed and a stratospheric solo by maestro Pedro J. Monge. It’s the identical formulation they have been sprucing for years and arguably caught to their essence as a band. One of these selections that shall be revered by its devoted.
In a really comparable method, however permitting Cribas to shine slightly in his lyrics, “Dreambreaker” shall be one of many fundamental components of his future stay exhibits. Another aggressive music that’s excellent for singing amongst twin metalheads, who can even stand as much as the large totems of International Power Metal. A brand new music that may be categorized as an absolute gem of the complete work.
To change registration, Vhäldemar They decrease the revs and provide a Heavy Metal course referred to as “Deathwalker”. A constant lesson that leaves a path skillfully opened by the title monitor of the entire album, “Sanctuary of Death”, to as soon as once more present all the facility that these individuals of Baracaldes have. Here now we have to cease to speak in regards to the nice solo duel that Jonkol and Pedro fought with their instruments.
Leaving apart the modest epic contained in “Forever”, we discover in the suitable heart of the album a sq. so undeniably heavy that the band itself christened it “Heavy Metal”. The quick classic aftertaste it provides takes us by the hand to one of many album’s excessive factors. “Old King Ideas (Pt VII)” the place the band strikes like a fish out of water and as soon as once more nails the successful formulation talked about above.
Almost with out noticing, we discover an ideal shock that this sanctuary of loss of life accommodates, “Brothers” when Cribas provides his voice to Raul and Vhäldemar They appear to be evolving into the Rising Force of Joe Lynn Turner’s time. A surprising lower that, whereas nonetheless pure arduous metallic, exhibits a totally totally different facet to what the band often exhibits. After the third conversion, the “Law of Apostasy” brings us again to that “loss of life” philosophy. Vhäldemar with satisfaction
The work says goodbye to the sense of the instrument that leaves time to replicate on what now we have chewed and the place Maestro Monge exhibits that his dealing with of the six strings exceeds the pace on the neck. It’s an effective way to finish an album that leaves an exquisite style within the mouth and covers, slightly, an essential function Vhäldemar within the historical past of the nation’s panorama. A narrative that mixes dedication, high quality and Heavy Metal.