Information Times (Reporter Cai Mujia) Hunan Satellite TV’s large-scale folk song competition program “Spring Flowers”, created by Andersen Studio, aired its second episode last Friday night. After the contestants in the first half brought different styles of folk songs, the contestants in the second half also appeared one by one, performing folk songs with different styles and singing styles. In “Spring Flowers”, the performances of the songs by the contestants not only reflected the young generation’s performance of trial and error and innovation in the inheritance of folk song culture, but also showed the openness and tolerance of folk song culture for innovation.
Gong Shuang .Photo courtesy of the program
Folk songs have a history. They were created by the working people and passed down orally in production and life activities, representing the voice of the working people’s music, and the folk music shown in “Spring Flowers” is in the same vein. Gong Shuang, an outstanding representative of the academy, sang a song “Song of the Yangtze River”, which sang magnificently and vigorously. Tan Weiwei commented that it “perfectly illustrates that good technology supports the best emotions”. Zhou Yichen brought a majestic “Love Is Forever” to the audience, and won the “full house” with his mellow voice and full of emotions, which made the Boys Band and the confidant group under the stage empathize with and deeply touched. Equally amazing is the Xinjiang folk song “Why Are Flowers So Red” brought by Chen Yingzhu. The fusion of its gothic rock style and folk songs made Tan Weiwei call “learning abolished”, which left a deep impression on Zhiyin Group.
Chen Yingzhu.Photo courtesy of the program
As a traditional culture, folk songs must not only be inherited, but also how to “use” them. However, if young people are allowed to sing, they must be given the freedom to innovate and be passed on through “playing” and “playing”. “Things After That” adapted by “The World‘s Top 100 DJs” Guo Qu is the most typical adaptation idea – it not only retains the most recognizable melody part of the original song “Listening to Mom Tells the Story of the Past”, but also adds tenderness Delicate electronic music, and through the phonograph, a “medium” with a sense of age, completes the time-space grafting of the past and the present, which makes Hua Chenyu “dancing” with excitement. In addition, the new performance of “Nanping Evening Bell” by Chu Di has added elements of drama and musicals. The song is full of the haziness and beauty of the first love, making the song refreshing and full of Beijing rhythm.
On the stage of the program, there are also contestants from many ethnic groups who interpret the folk songs of their own ethnic groups in the most authentic way in their own languages, showing ethnic customs and promoting ethnic customs through their voices. With her ethereal and pure voice, Jisha Shama, a girl from the Naxi ethnic group in Yunnan, brought a song “Take me to the top of the mountain” with national characteristics. This song has added the music of the Naxi ethnic group, and it is telling in every tune With the feeling of homesickness, hit the wanderer’s heart. As Lei Jia said, there are many national treasures, and music creators will find huge treasures when they search and dig.Return to Sohu, see more
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