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Bridging Cultures Through Film: An Exclusive Interview with Director Jia Zhangke

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Bridging Cultures Through Film: An Exclusive Interview with Director Jia Zhangke

Exclusive interview|I hope to convey Chinese tales to audiences all over the world – Interview with director Jia Zhangke

Xinhua News Agency, Cannes, France, May 24 (Exclusive Interview)|I hope to convey Chinese information to audiences all over the world – Interview with director Jia Zhangke

Xinhua News Agency reporter Zhang Baihui

“I’ve all the time hoped to efficiently convey Chinese tales to audiences all over the world via worldwide movie festivals. Jia Zhangke, who competed for the “Palme d’Or” for finest movie on the 77th Cannes International Film Festival along with his new movie.” the film “The Merry Generation”, not too long ago acquired an award A reporter from Xinhua News Agency mentioned this in a phone interview.

“Romantic Generation” is one in all 22 shortlisted movies in the principle competitors part of this movie pageant. The movie takes the emotional relationship between the couple Qiaoqiao and Brother Bin in a small city in northern China as the principle line, and tells the story of their lives and the varied low-class individuals round them within the first 20 years of this century.

On May 19, on the 77th Cannes International Film Festival in Cannes, France, director Jia Zhangke (third from left) and the principle creators are seen in a photograph of the film “The Romantic Generation”. Photo by Xinhua News Agency reporter Gao Jing

Speaking concerning the origin of his creation, Jia Zhangke mentioned that his authentic intention was “to make a movie that reveals a beautiful imaginative and prescient of society.” “2001 was a vital 12 months. The bid for the Beijing Olympics was profitable, China joined the World Trade Organization, and all the Chinese neighborhood was completely satisfied that the good improvement of Chinese society up to now 20 years had an impression on everybody’s life. He hoped that Use the language of movie to file moments.

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The movie summarizes Jia Zhangke’s almost 20 years of pictures. It isn’t simple to weave wealthy and detailed materials right into a steady narrative. Jia Zhangke selected to make use of the language of “experimental” movie to realize this, utilizing totally different instruments and codecs reminiscent of digital cameras, movie, 5D cameras, VR cameras, and so forth. presenting a novel “picture high quality” at numerous closing dates. Jia Zhangke mentioned that the method of constructing this movie was like “knitting a sweater”, and the environment of the occasions was “centered” for him.

The 20 years when the filming supplies of “The Romantic Generation” had been put collectively are additionally the 20 years when Jia Zhangke was put along with Cannes He received the “Palme d’Or” many occasions with movies like “Tale of 24 Cities”. .

Speaking concerning the significance of bringing his works to worldwide movie festivals, Jia Zhangke mentioned that movies are known as “ambassadors in metallic bins”, which might take away cultural boundaries and produce individuals nearer to one another to audiences all over the world.

At this 12 months’s Cannes Film Festival, many Chinese movies reminiscent of “The Merry Generation”, “Dogs” and “The Siege of Kowloon Walled City” had been shortlisted in numerous official classes. In addition, the Chinese movie delegation introduced greater than 180 Chinese movies to take part within the Cannes Film Market.

Jia Zhangke mentioned that artwork movies have lengthy been the main style of Chinese movies that “go international”. “I feel everybody appears to be coming into the highway of ‘going abroad’ one after the opposite. In the longer term, we have to make robust and long-term progress, use various kinds of movies to draw the eye of most people in numerous methods. nations within the worldwide market, and acquire worldwide affect by immersing the market.”

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