Home » Building Empathy: Creating Connections Between Art and Audience by Film and Television Series “Going Where the Wind Is”

Building Empathy: Creating Connections Between Art and Audience by Film and Television Series “Going Where the Wind Is”

by admin

First subject: Building a bridge of “empathy” between the work and the viewers

Recently, the Culture and Tourism Bureau of Dali Bai Autonomous Prefecture in Yunnan introduced that it plans to supply a subsidy of two million yuan for the 2023 main movie and tv collection “Going Where the Wind Is”. The information quickly turned a sensation, with netizens praising the transfer, saying, “This will encourage administrators and actors to create extra nice works.”

The TV collection takes pastoral therapeutic as its theme and makes use of poetic expressions to indicate the heat and peace of contemporary life; utilizing Dali, Yunnan as a capturing location, it clearly exhibits pastoral life and exquisite countryside. After the printed of the present, Dali, Yunnan, already a preferred vacationer vacation spot, turned fashionable once more, realizing the “double rush” between movie and tv IP and cultural tourism. Two months after the launch, 20,000 official journey plans of the TV collection “Where the Wind Goes” have been bought. Especially the “Courtyard of the Wind” the place the heroine lives within the TV collection has attracted many guests.

In latest years, in an effort to pursue rankings, some movies and theaters have ignored the legislation that “artwork comes from life” and the legal guidelines of literary and creative creation, and randomly added dramatic plots which are indifferent from life and make no sense. They are referred to as “bizarre dramas” and “watery dramas” by netizens. Some of those movie and tv exhibits are silent in the marketplace, can not make noise, and are a waste of manpower and bodily assets; flowers” and are ignored. The viewers forgets.

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Instead, “Go Where the Wind Is” gained the viewers’s love just by “clearly telling tales” and made Yunnan well-known. This exhibits that we’d like extra TV dramas which are extra associated to the true world, construct a bridge of “empathy” between the works and the viewers, use “empathy” to set off “resonance”, then create “site visitors” and produce “Enough Save”. Those movie and tv exhibits ought to have the next distinctive options: they’re sensible in theme, they’ve cheap costs, they usually have a excessive creative style. In truth, there are numerous movie and tv exhibits like “Where the Wind Is”, and it has additionally made many filming areas fashionable. For instance, “The End of Time” goes to Zhoushan Dongji Island, and “Passing Through Your World” goes to Daocheng Aden.

We are wanting ahead to an important and significant works from TV screens, which evoke extra “sounds” in individuals’s lives and evoke the most well-liked locations. (Wei Sainan)

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