They latit, they disappear, they are playmates of their children. Where have the fathers gone, those who, even with difficulty, supported their educational function? What happened to the paternal imago and what remains of the father in the time of its dissolution?
Mario Perrotta, director, playwright and actor staged at Teatro Contatto 39×365, “In the name of the father”, (long applauded at the Palamostre in Udine), the first show of a trilogy dedicated to the family, born from an intense confrontation with the psychoanalyst Massimo Recalcati, dramaturgy consultant.
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