Once upon a time, when cinema loved free and unhurried locations in typical chains, one may spend early mornings listening to vigorous radio diatribes about how one can give rhythm to a montage, the monolith description of “2001: A Space Odyssey”, the origin of the cinemascope or how full De Niro was “Cape Fear”. In addition, the listener was allowed to have the braveness to enter that shifting prepare, including gasoline to the fireplace along with his humble contributions and ineffective questions reside. It’s a bit of cinematic paradise that appears unimaginable at present, with a title “Stardust” and commanded by the attribute voice of Carlos Pumares who’s irreverent, unfair and merciless.
Taking as its title the primary phrases uttered by a histrionic movie critic in response to his viewers, “Yes, good evening, inform me?” is a podcast collectively produced by Cinemanía and the journal La Libreta with the intention of honoring the reminiscence and Hertzian legacy of the aforementioned with 5 important installments for lovers of celluloid and the unhealthy father. Archaeological work and nostalgic enjoyable the place, on the time of the loss of life of the aforementioned, it’s meant to honor one of many historic faces of radio broadcasting within the eighties and nineties. As if an audible trencadís, every episode repeats, talks, talks and conclusions that Pumares gave us throughout the a long time on the air, each in Antena 3 Radio and Radio Voz, and at last, in Onda Cero.
Installed with the intelligent intention of following a sure theme, every program provides us the context to know step by step and in the very best manner how the extraordinary thoughts of this reporter labored, unfairly remembered in his most offended and clever twilight, however doubting the principle character in probably the most excessive encounters of surreal and anthological our airwaves have ever seen.
Pumares was courageous and a person of one other time. The intent right here is to not err on the facet of revisionism, however merely to witness how issues labored in a pre-internet and pre-squeamish world. For this purpose, maybe our blood runs chilly once we hear how a controversial announcer releases, with out mincing phrases, observations from one other century reminiscent of black gamers “not seen at evening” or that such an actor “is there to place down”. In reality, with onanistic language that’s extra widespread in a bar than a movie show, Pumares permits himself the luxurious of speaking to us “The Team”, an improvised section on his present the place he shares the names of sure feminine stars (with Kathleen Turner, Gloria Grahame, Michelle Pfeiffer and Uma Thurman as notable college students) who stand out extra for his or her our bodies than their performing expertise. Undoubtedly, they had been completely different instances.
But the place Pumares wins us over is in these transient and felony moments the place he roars his concepts with out consideration (“”Fire”? Very good, every thing burns very effectively), he punishes his listeners by repeatedly asking him about the identical matter (the pen of “Silence of the Lambs” or the everlasting barrage of questions on “Blade Runner”) and watching movies on video or on tv as an alternative of going to the cinema, or simply chill out and face essentially the most well-known names within the seventh artist (Mel Brooks or David Lynch after the primary theater). “Fire Walk With Me”his ears should have been ringing for weeks).
The podcast, then again, is extra centered on the cellphone and the listeners, the true characters chitchat and people who feed their monologues with the satan with technical questions on broadcasting and route (with out IMDB), the refined irritation of the volcanic response. or strategies based mostly on THC nights moody announcer solves us rapidly. The result’s a half-hour pill, as humorous as it’s informative, that takes us again to a number of the most memorable moments of nationwide communication, already built-in into the previous and generally sorely missed. Masterpiece!, what was that?