The first “Cyber Beijing·Digital Art Festival” sponsored by Liande, Titanium Media Group and CryptoC was held online from August 7th to August 10th. AI and encryption artist Song Ting brought the title ” “Analysis of Encrypted Art Works and Curatorial Forms in Asia, South America, and Europe”.
Song Ting said in her speech that crypto art faces many challenges, and Metaverse may be the promised place for crypto art to be displayed.
She said that if you want to have enough encrypted art NFTs with high-quality cultural content, both creators and viewers need to open their hearts, and creators need to dig deep into contemporary high-quality cultural clues. At the same time, use technology as a means, not an end. Find the way to reduce soil moisture together. When this is really done, the definition of encryption art will be ready to come out. Under the epidemic, the encryption art NFT will make a very unique and outstanding contribution to international exchanges.
Today I will briefly share my experience of South American, Asian, and European crypto art and their curatorial forms.
Before starting, let me introduce myself to everyone. I currently have various NFT creations in the world of Web 3.0 and the blockchain industry. But before I did full-time encryption art creation, I was a technology and art consultant for Internet companies such as Oppo Campus and Sina Weibo. In these processes, I have made some works that satisfy myself and also get better feedback on the level of social influence.
My work is the first digital art work auctioned by a traditional art auction house in China. In 2020, I won the encryption art awards of all Chinese media, and in 2021, I won the grand slam of the digital art spring auction of the traditional art auction house in mainland China. I am the only Asian to attend the first VOGUE NFT Forum, and I am also an NFT consultant for the four public chains in China. I see a lot of vitality in the WEB 3.0 industry. At the same time, because of the development of encrypted art NFT and the entire digital art, Tencent Music Entertainment Group and I collaborated with four musicians to create NFT artwork covers on World Ocean Day. This is also the first time Tencent Music Entertainment has produced NFTs. I cooperated with Huawei AI Framework for the first digital art experiment based on tie-dye, and cooperated with Zhihu for the first encrypted art exhibition.
In the impact of Web 2.0 and Web 3.0 identity clips, when I recently talked about the development of encryption art and NFT, there were a few unanswerable questions. Let me first briefly list these issues with you. This is why I will share with you the topic of “Asia, Europe and South America Encrypted Art and Curatorial Forms”. I hope that I can respond to these questions in a practical way.
The title of my title is Sorrow, Perplexity and Cruel Reality of Encrypted Art NFT. Why do you say that? In fact, starting from the auction event at Christie’s at the beginning of the year, the bubble in the entire NFT industry has run faster than infrastructure construction. What worries me the most is that on a global scale, what about NFT is worthy of encouragement, what is worthy of praise, and what young people should learn. These soft norms have not yet been established. For people outside the blockchain industry and the public outside the technological atmosphere, the cost is actually very high if they want them to feel the fun and beauty of NFT. In this context, there will be three questions. I would like to discuss with the guest teachers, our organizers, and audience partners who have listened to this forum.
The first question is that most of the NFT followers, enthusiasts and creators in the public network outside the blockchain industry do not actually need a decentralized distributed storage NFT at this moment. What they need It’s just a digital innuendo that corresponds to its identity one-to-one in real life. For this part of the public who have no complex with technology, how to help them build their belief and attachment to NFT so that they think this is really interesting, and how to avoid purely speculative construction? I ask myself this question every day.
There is another point that has been extended-how should the sense of ownership, acquisition and experience of the digital world be healthy and established? When I own an encrypted artwork or digital artwork IP, how can I feel that I really own it and feel happy because I own it?
Thirdly, can I continue to create a healthy community effect in the new track of Crypto Art NFT? When we talk about helping people with non-technical complexes to build their belief and attachment to NFT, we emphasize the construction of health.
In my opinion, if a new thing cannot help the old thing to become better, its path may also become more bumpy.
The second question is, what kind of NFT would anyone really want to collect and buy, and to what extent does this work convey energy and values? This value is not a value under a very single standard. It also includes but is not limited to cognitive aesthetic attitudes. So are there many such works? I will not answer this question directly. I can only say that if a work does not convey good energy and values, it will actually not go far.
The third question is, when we hope that the digital art NFT and the encrypted art industry can develop faster, has a healthy digital consumption concept that matches the NFT established? If we hope that NFT can enjoy the economic and social growth capabilities, then many new companies, whether they are in the Web 3.0 stage or the 2.0 stage, whether they are start-ups or giants, have they led everyone to a real consumption upgrade?
I think the ideal situation I am pursuing is not to say that NFTs have to be bought on the market, but they have to be swarmed, but that the people really did not exist before they bought this new product and new technology. Or quality products that are not convenient to exist in their lives. Otherwise, what is the quality of it compared with the old products? These issues are the reality that I think the encryption art NFT industry should face.
Many people will have a question, what is encryption art? Is the definition of encryption art accurate? I want to transform the answer to this question. Before discussing whether the expression of the four words “encryption art” is adequate, let’s solve four small problems first.
The first point is how can the art of encryption be developed and how can people outside the atmosphere of blockchain technology experience its charm? The second point, do we really have enough and rich quality content? I certainly hope that the answer to this question is yes. The third point is, what should we practitioners do to empower the real economy from high dimensions and create better spiritual and cultural works and products for the people? Finally, under the epidemic, what can the encryption art NFT do for international exchanges?
When the epidemic blocked all international art exchanges, I organized five crypto art exhibitions in Indonesia, Southeast Asia, Japan, South Korea, and India. Although these activities can not be said to be smooth sailing, there have been small twists and turns in the middle, but I deeply understand that blockchain, as an interdisciplinary innovative idea, can contribute to the optimization of other people’s organizational relationships.
First of all, this makes me more confident in the distributed organization of blockchain and the application of DAO in the world of art exhibitions. Because the entire big event is based on an open framework and completed by the community’s spontaneous operation and promotion.
Secondly, I organized exhibitions of artists from Indonesia, Thailand, Myanmar, Singapore, Japan, and South Korea. At the same time, I also saw some small-scale artists who can meet offline in Malaysia, Hong Kong, and Fukuoka, Japan. A series of activities have also been organized, which can allow the discussion of crypto art to take place offline. I see that the connection between people has become more efficient and more textured under the lubrication of the encryption art NFT.
The work I displayed this time is very consistent with this “Cyber Beijing·Encryption Art Festival”. This work contains artificial intelligence models of AI on the blockchain and AI off the chain. What I want to express is how to find one’s own dominant position in the face of the impact of information technology in the current development of human artistic civilization, just like this flower, it must have its own way of answering.
Song Ting “The Flower That Doesn’t Exist”
Song Ting “The Flower That Doesn’t Exist”
As for the extent to which encryption art NFT can create more real connections between people, how should encryption art be displayed? I can only say that under the current discussion, I think Metaverse, Decentralized, etc. are a particularly good platform for digital art display. The number of real visits to the CV website in the past month has continued to increase, and there are digital wallet addresses with mature consumption habits. These data cannot be faked, and this number is quite impressive. For CV, behind so many visitors and every wallet customization, there is actually a consumer NFT or people who like to consume NFT.
I have used my practice to answer the many challenges of the encryption art NFT. At the same time, I also have a phased and small personal judgment, that is, Metaverse may be the promised place for the display of encryption art.
If we want to have an encrypted art NFT with enough high-quality cultural content, we need both creators and viewers to open their hearts. Creators must dig deep into contemporary high-quality cultural clues, and at the same time treat technology as a means rather than an end. Together, the two find a way to reduce soil moisture. When we really do this, the definition of encryption art will be ready to come out. Under the epidemic, the encryption art NFT will make a very unique and outstanding contribution to international exchanges.
As for the definition of Metaverse in my mind, I think it is actually related to technology, but it is not a sufficient and necessary relationship. In my mind, the most critical point of Metaverse is about the connection between human heart and human heart. If this can be achieved, Metaverse is good.
In fact, when I open my heart, I don’t stick to the head platform that I see now, but when looking at the creators of the whole world, when looking at the world other than English, I will find that Turkey is the encryption art with the most surprises. Country. In Turkey, there are many creators of encrypted art: there are sci-fi special effects and installation art that we are familiar with, as well as the trend of collage and portrait photography.
Apart from Turkey, one of my favorite countries is Brazil. I think the creators here are very energetic, have strong cultural characteristics, and at the same time have a sense of fashion. As far as I am concerned, the average quality and head quality of Brazil’s encrypted artworks are great throughout South America. In these places, I deeply felt the power of Metaverse.
Asia’s most worthwhile learning and reference is its organizational model. A community of only four people can make it possible for three hundred artists and so many followers and supporters to forward this exhibition. Does this mean that the current international encryption art exchange is just needed and ready to come out?
Finally, whether it is Asia, South America, or Europe, all Metaverse must be about the connection between the human heart and the human heart. Under this circumstance, do you have a new definition of the terms exhibition and exhibition viewing? I think that for all the new things we welcome, we must include an open attitude, to accept it, to feel it. Because we are at the moment of the engine of art history, all the things we feel today are different from before, maybe they will be written into history later. I am not in a hurry to respond to many definitions, but I hope that there will be more positive energy, which is good and sustainable.
Many people have asked me, how should the development of international encryption art be done today, and which path should the Chinese-characterized encryption art NFT take in order to have more international discourse? Everyone will also ask me, what kind of fine art content can be kept a hundred years from now for our future generations to watch? I just want to use this sentence to answer: Ask me where is the new way, I don’t know, I’m looking for it. I did this today, and I will do more in the future.
The development of the world‘s encryption art has reached the second line. It is to eliminate the fake and save the authenticity. It cannot rely on commerce to promote the progress of all content. If we are carried away by this rhythm, we cannot be ourselves. You must open your heart and treat technology as a real content, not a purpose. We should see more clues that can make the world better due to encryption art in order to carry forward this. Where is the new road, I don’t know, I’m still looking for it, and I’ll keep looking for it in the future. I also hope that the friends who have seen this sharing through the live broadcast today can find this way with me. Thank you.
What is “Cyber Beijing Digital Art Festival”?
This is the world‘s first digital art exhibition + thought shocking event held in the cyber world on the chain. It is also the world‘s first time to use the concept of “meta universe” as a mapping of real internet celebrity buildings, and innovatively transform it onto the blockchain to convey the charm of digital culture and digital art in the form of interweaving and interconnecting reality and fantasy. In the “Cryptovoxels Encrypted Metaverse”, the “folding park on the chain” will bloom the charm of digital encryption art in virtual time and space.
Official website link:
https://chainsights.chaindd.com/cryptoart/#/
Folding park on the chain:
https://www.cryptovoxels.com/parcels/2445
Link Dede Live Room:
2021.08.07 10:00
https://video.chaindd.com/live?videokey=ygMP6G
NFT Investment in 2021 Cyber Beijing Digital Art Festival[Lande Pro Live]
2021.08.07 14:00
https://video.chaindd.com/live?videokey=AAiAsz
NFT Infrastructure and Application of 2021 Cyber Beijing Digital Art Festival[Lande Pro Live]
2021.08.08 10:00
https://video.chaindd.com/live?videokey=DQY3gs
2021 Cyber Beijing·Digital Art Festival: Meta Universe[Lande Pro Live]
2021.08.08 14:00
https://video.chaindd.com/live?videokey=1x2tuC
Encrypted Art of 2021 Cyber Beijing Digital Art Festival[Lande Pro Live]
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