The long-awaited final chapter of the “Dajiang Dahe” series has finally returned after three years. The first week of its airing saw the ratings break 3, marking a triumphant comeback for the popular series.
“The Great Rivers of Time” is the CCTV New Year’s Eve drama currently captivating audiences with its portrayal of the 1990s. The narrative explores the changing fates of ordinary people amidst the turbulent waves of reform and the determination of dreamers to move forward. Led by chief director Kong Sheng, the creative team behind the series continues to deliver a grand and simple story that resonates with viewers.
Over the span of seven years (2018-2024), “Dajiang Dahe” will consist of three parts, each reflecting the progress of individual streams and the origin of rivers with different economic models. The third part focuses on the urgency of wandering and the opportunities that arise for dream-seeking individuals in the ever-changing landscape of the times.
The series documents the process of development, capturing the flow of waves day and night in the course of the times. The main characters, Song Yunhui, Lei Dongbao, and Yang Xun, represent different economic sectors and their respective struggles and triumphs in the face of reform and progress.
The exploration of the complexity and pain of reform is a central theme of the series, offering a realistic portrayal of the challenges faced by individuals and the collective spirit of the Chinese people. From the state-owned economy to the collective economy and the emerging individual economy, the series delves into the progress and difficulties of the three reform processes, reflecting the evolution of the characters’ personalities alongside the development of the times.
The latest plot of the series showcases the characters’ pursuit of their dreams against the backdrop of reform and development. The series transcends romantic filters, presenting realistic and often poignant scenarios that highlight the pains and detours experienced in the pursuit of progress.
The choices and struggles of the characters, such as Yang Xun’s entrepreneurial journey and Song Yunhui’s ethical dilemmas in the face of reform, paint a vivid picture of the challenges and triumphs of the era. The series breaks through the limitations of chapters, using the twists and turns on the road of reform to depict the firm belief embedded in the national gene.
In sum, “The Great Rivers of Time” is more than just a drama series; it is a reflection of the unyielding spirit of those who have navigated the waves of change, having caught up with the tide of the times and promoted the flow of the times.