Encourage exchanges and breakthroughs between the art circles “Brother Who Overcomes Troubles” makes Chinese culture glamorous
2021-10-12 11:31:49Source: Xi’an News Network
Xi’an News Network reported that “Don’t sit on the fairy mountain, don’t sit in meditation.” At the fourth concert of “Thirty Thousand Heavens” of “Brother Who Overcomes Thorns”, Li Xiang’s Kunqu opera surprised everyone as soon as he opened his mouth. The stage “She Li Duan”, which my brothers and Chinese modern dance dancer Zhao Liang collaborated with, combines Chinese opera, Chinese classical dance, Chinese classical musical instruments and the beauty of national style dance, conveying a fascinating oriental aesthetics and “self-inspection”. , The Eastern Philosophy of “Shouben and Sincere”.
For the first time in the concert, artists’ cooperative performances were introduced. In addition to the collaboration between the dancer Zhao Liang and his brothers, “Leaving” and “There are so many people in this world“, Turing Music Lab also participated in the fantasy fairy tale “Dalabon Bar”. “And the stage creation and performance of the film-like “Love of the Year”. The stage of cooperation between the brothers and the artists not only broke the barriers between the art circles, but also innovated the form of performance, which greatly led the stage aesthetics and created more works of artistic value. A few months ago, it was still unknown whether “Brother Who Overcome the Thorns” could “out of the circle”. Now a few months have passed. What everyone sees with emotion is not greasy, not exaggeration, but the hard work of middle-aged men, friendship and friendship. Fairy love.
“She Li Duan” innovatively integrates a variety of Chinese elements, and conveys the “spiritual of mountains and rivers” through Kunqu opera and classical dance
Zhao Liang is a Chinese modern dance dancer and dance performance artist. He has been trying to create dances in different spaces, environments and theaters. He formed his own unique body language with his own unique artistic concept, and while intertwining and colliding with different arts, he used his body and behavior to create and perceive the world.
This time, during the stage creation process of “She Li Duan”, Zhao Liang took the initiative to integrate his own artistic concepts and proposed that “She Li Duan” is a very Zen and national style song, so in the stage design Hope to be more artistic and theater. When Zhang Jin heard Zhao Liang’s thoughts like this, he bluntly said: “We want to make this novel attempt.”
On the day of the performance, all members of the Zhang Jin camp’s “Secure Life” stage appeared in ancient costumes, their clothes draped and immortal spirits lingered. Li Xiang, who danced Chinese dance and sang Kunqu opera, appeared first, followed by Hu Haiquan who played the flute, and Bai Jugang who played Zhongruan. In the bamboo curtain, many elements highlighting the oriental aesthetics, such as strange stone landscapes, Kunqu opera, Chinese dance, Chinese musical instruments, etc., are presented one by one, and the “self-viewing” Zen in the song is delivered to the audience through a concrete interpretation, and will enter and exit the nature. The ease and ease of going into and out of life is vividly displayed, as the dancer Zhao Liang said: “This is the spirit of the landscape that the Chinese have been pursuing.” The new creations of Zhao Liang and his brothers are spiritual and beautiful, so that the stage aesthetics of “Departure” not only stays in the visual “beauty”, but also the “beauty” that cleanses the soul.
“The Love of the Year” innovative combination of string music and rap, film-like singing and acting directly hit the hearts of the people
As a cross-border music group, Turing Music Lab gathers improvisational music, classical chamber music, jazz, experimental music, world music, Rock band music, folk music, Pop music and other music genres. It is good at experimenting with music. Studio way, producing and launching live music performances.
This time, Chen Xiaochun’s “Love in the Past”, a collaboration between Chen Xiaochun’s camp and Turing Music Lab, retained and innovated the “movie feel” of the song. Turing Music Lab combined with the plot of the brothers’ live performances, “In the arrangement, the theme song “Shapeofmyheart” from the classic movie “This Killer Is Not So Cold”, “Vivalavida” by Coldplay Band and “The True Colors of Heroes” are incorporated into the arrangement. The classic “Mark’s Theme” amplifies the emotions conveyed in the original song and strengthens its cinematic sense.”
In the process of live performance, the Turing Music Laboratory “uses guitar, violin and cello to hold up all the reminiscence, promotion, passion and lyricism required for the whole song. This adaptation method and the artistic conception of the stage are They come down in one continuous line,” and they unconsciously bring the audience into the “love of the past.”
At the same time, under the accompaniment of the strings of Turing Music Lab, Brigitte exclaimed and sang “The most difficult to forget my youth seems to be yesterday. We used to believe that it will never be broken.” The innovative collision of string music and rap has produced a surprising chemical reaction, making the ideas that brothers want to express more directly.
“Brother” continues to explore the integration of art on the stage, and enhance the vitality of the work with advanced aesthetics
Artistic innovation and integration are the themes that “Brother Who Overcomes Thorns” has been exploring. Whether it is “Wukong” that combines Peking opera and rock, or “Leave the Surface of the Earth” that integrates rap and Chinese martial arts, or “Good Spring” that combines “dance” and “wu” to set off a heroic style, they are all “overcoming obstacles.” The unforgettable singing and acting works left on the stage of “Brother”.
“Brother Broken Through” has always insisted on encouraging the collision and integration of traditional culture and popular culture, encouraging exchanges and breakthroughs between art circles, and constantly putting the charm of Chinese culture in a modern context, continuing to add to traditional culture The vivid background ignites the cultural confidence of young audiences.
All-media reporter Zhang Jing of Xi’an Press
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