Celebrating 20 Years of Kunqu Opera Youth Version “The Peony Pavilion”
In a recent press conference in Taipei, 87-year-old Taiwanese writer Bai Xianyong praised the youth version of “The Peony Pavilion” as “a hugely successful cultural project of cross-strait cooperation.” Bai Xianyong, who joined forces with the Suzhou Kunqu Opera Theater to create the youth version of the classic play in April 2004, reflected on the impact and achievements of the project thus far.
The youth version of “The Peony Pavilion” premiered in Taipei and has since been performed nearly 500 times across the Taiwan Straits and overseas. In March, the play will kick off its 20th-anniversary performance in Taiwan, marking a significant milestone for the project.
Bai Xianyong spoke about the dedication and hard work that has gone into the youth version of “The Peony Pavilion,” emphasizing the collaboration of elite talents from both the cultural and opera circles on both sides of the Taiwan Strait. He also highlighted the importance of the play’s ability to attract young audiences, recalling the successful performance at Peking University, which drew in more than 2,000 audience members for the nine-hour show.
The renowned writer underlined the emotional impact of the play, stating that it touches the hearts of young people and evokes their love for beauty. Bai Xianyong emphasized the cultural significance, proclaiming, “The youth version of ‘The Peony Pavilion’ is so beautiful, the love is so moving, and most importantly, it is our Chinese nation’s own artwork that is not mixed with the West.”
Beyond its artistic achievements, Bai Xianyong emphasized the broader impact of the play, expressing his hope for a Chinese cultural renaissance. He shared an anecdote about a moving experience in London, where students from Beijing, Hong Kong, and Taiwan were deeply touched by the play, suggesting that it affects people’s national emotions and inspires confidence in their own cultural heritage.
Looking ahead, Bai Xianyong expressed his hopes for the future of Kunqu Opera and the youth version of “The Peony Pavilion.” He stressed the importance of continuity and preservation, stating, “We have such amazing performing arts, and I hope there will be people who will continue to do so.” In his closing remarks, he called for more caring individuals to come forward and carry forward the legacy of traditional Chinese culture.
As the youth version of “The Peony Pavilion” prepares for its 20th-anniversary performances, the play continues to be a powerful symbol of cultural collaboration and preservation, resonating with audiences both young and old.